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Alexandre Moors is a French filmmaker born in Suresnes in 1972. As a teenager, he was an active member of the Parisian "graffiti" scene before attending Penninghen School and then the Arts Decos’ (ENSAD). He left Paris for New York City in 1998 where he has since worked as graphic designer, director and artistic director.
Alexandre Moors. Director: Blue Caprice. Alexandre Moors was born in 1972 in Suresnes, France. He is a director and writer, known for Blue Caprice (2013), Miley Cyrus: Mother's Daughter (2019) and The Yellow Birds (2017).
- January 1, 1
- Director, Special Effects, Writer
- Suresnes, France
- Alexandre Moors
Don Toliver, Love Sick: Open All Day, Every Night. Love Sick: Open All Day, Every Night / Film
While growing up in the suburbs of Paris, Alexandre Moors experimented with graffiti, a process where “you reinvent or reinterpret your surroundings into your own scenario.” A prolific music video director, Moors came to his first feature, Blue Caprice , with the heart of a young graffiti artist rather than the brain of a grizzled veteran director.
The Yellow Birds: Directed by Alexandre Moors. With Alden Ehrenreich, Daniel Jose Molina, Mikey Collins, Tye Sheridan. Two young soldiers, Bartle (21) and Murph (18) navigate the terrors of the Iraq war under the command of the older, troubled Sergeant Sterling.
- (4.8K)
- Drama, War
- Alexandre Moors
STARRING DON TOLIVER, SAVOY BAILEY, WILLIE MAC, DAMARIS LEWIS and featuring KALI UCHIS, TISAKOREAN and CHARLIE WILSON. WATCH ON AMAZON. The Yellow Birds. 95 min. Starring Tye Sheridan, Alden Ehrenreich, Toni Collette and Jennifer Aniston. SUNDANCE 2017WINNER OF THE SPECIAL JURY AWARD FOR CINEMATOGRAPHY. Blue Caprice.
Alexandre Moors. Growing up in the suburbs of Paris, Alexandre Moors was an active member of the graffiti scene while studying graphic design at the Arts Décoratifs (ENSAD). He moved to New York in 1998 and began working for pioneering Internet music channels and motion graphic studios. Moors often works as creative director for artists such ...
