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Apr 7, 2024 · However, results vary from one study to another, with few satisfactory explanations as to why. We contend that emotional responses to music are adaptable, arising from a conscious and subconscious continuous processing of the overarching situational context and its interaction with psychophysical, cultural, and personal variables.
- Emotional responses to music: experience, expression, and ...
A crucial issue in research on music and emotion is whether...
- Emotional responses to music: Psychology of Music experience ...
KEYWORDS: autonomic activity, emotion, electromyography,...
- Emotional responses to music: experience, expression, and ...
Dec 3, 2017 · The aim in this study was to examine whether: (1) music perceived as ‘emotionally powerful’ and pleasant by listeners also elicited a response in a central marker of emotional response (frontal alpha asymmetry), as found in previous research; and (2) peaks in frontal alpha asymmetry were associated with changes in key musical or psychoacoustic events associated with emotion.
Apr 7, 2024 · We contend that emotional responses to music are adaptable, arising from a conscious and subconscious continuous processing of the overarching situational context and its interaction with ...
Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms.
- Patrik N. Juslin, Daniel Västfjäll
- 2008
Aug 12, 2008 · A crucial issue in research on music and emotion is whether music evokes genuine emotional responses in listeners (the emotivist position) or whether listeners merely perceive emotions expressed by the music (the cognitivist position).
- Lars-Olov Lundqvist, Fredrik Carlsson, Per Hilmersson, Patrik N. Juslin
- 2009
The link between music and emotion, as articulated from a cognitive perspective, assumes that music carries expressive cues that convey or induce emotional responses in listeners. Studies following this paradigm often investigate how responses converge or diverge among individuals, social groups, and cultures. However, results vary from one study to another, with few satisfactory explanations ...
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KEYWORDS: autonomic activity, emotion, electromyography, emotional contagion, emotional experience, facial expression, gender differences. One of the most commonly cited reasons for listening to music is that music induces strong emotions (Juslin & Laukka, 2004). Yet, although experimental researchers often use music as a means of mood ...
