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  1. The long-telegraphed changes over at Netflix’s film division seem to have finally taken hold, at least behind the scenes. The New York Times recently ran a piece about the arrival of Netflix’s ...

  2. Mar 5, 2024 · But as Netflix finds sturdy ground with licensed titles (DC), Pay-One deals (with companies like Sony), and films with stronger marketing campaigns (like The Meg 2), Lin can focus on discovering the right I.P. to make movies that overlap with those audience interests, among others.

  3. Apr 14, 2024 · Dan Lin arrived as Netflix’s new film chief on April 1, and he has already started making changes. He laid off around 15 people in the creative film executive group, including one vice president ...

  4. Apr 28, 2024 · Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be a piece of great news for filmmakers as it opens up more opportunities to screen your next project on the Netflix platform. Netflix and independent filmmaker.

    • Can LIN make movies for the right price?1
    • Can LIN make movies for the right price?2
    • Can LIN make movies for the right price?3
    • Can LIN make movies for the right price?4
    • Can LIN make movies for the right price?5
  5. Mar 2, 2024 · In 2022, Dan Lin, known for producing "The Lego Movie" and "It," was in discussions to assume the leadership role at DC Studios. This presented a unique chance to revitalize the company ...

  6. Lin "can make movies for the right price," as one top talent rep put it. Tentpole franchises, seen as a way to reduce subscriber churn, have remained nominal at Netflix, where Extraction is the ...

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  8. Leonardo DiCaprio, Ted Sarandos, and Scott Stuber at the after-party for the premiere of The Irishman in New York on Sept. 27, 2019. Dan Lin, the streaming service’s new film chief, wants to produce a more varied slate of movies to better appeal to the array of interests among subscribers. (Nina Westervelt/The New York Times) by Nicole Sperling.

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