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      • We calculated generalized linear mixed-effects models, correlations, and multidimensional scaling to connect emotions and metaphors. It resulted in each metaphor being associated with different specific emotions, subjective levels of entrainment, and acoustic and perceptual characteristics.
  1. Mar 24, 2021 · To fill the gap in our understanding of musical meaning, we aim to test how metaphors relate to emotions, perceptual features (both musical and more basic perceptual auditory aspects), and acoustic features.

    • Simon Schaerlaeken, Donald Glowinski, Didier Grandjean
    • 2021
  2. Mar 24, 2021 · We calculated generalized linear mixed-effects models, correlations, and multidimensional scaling to connect emotions and metaphors. It resulted in each metaphor being associated with different specific emotions, subjective levels of entrainment, and acoustic and perceptual characteristics.

    • Simon Schaerlaeken, Donald Glowinski, Didier Grandjean
    • 2021
  3. Aug 1, 2016 · Metaphors and CM may act as a bidirectional conduit between music perception and emotion experience, contributing to the transition from the former to the latter (e.g. in a listener being moved as a result of perceiving emotion as being expressed in music), or from the latter to the former (e.g. in a composer adopting certain metaphoric or ...

    • Alessia Pannese, Marc-André Rappaz, Didier Maurice Grandjean
    • 2016
  4. essential connection between music and emotion. According to what we can call "emotion theories," it is essential to music to be somehow related to real emotion. Prominent examples of such theo-ries are these: it is the main function of all or most music to express emotions, to arouse emotions, or to represent emotions.2 In my view, such theories

  5. Dec 8, 2023 · In this paper, I address the question of how emotional qualities can be attributed to musical timbre, an acoustic feature that has proven challenging to explain using traditional accounts of musical emotions.

    • Nicola Di Stefano
    • nicola.distefano@istc.cnr.it
  6. May 31, 2022 · In response to such occasional objections, the present contribution aims to discuss precisely the problem of intentionality: can music be “about” anything in the extramusical realm and can the notion of metaphor help shed light on such a music-to-the-world connection?

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  8. It resulted in each metaphor being associated with different specific emotions, subjective levels of entrainment, and acoustic and perceptual characteristics. How these constructs relate to one another could be based on the embodied knowledge and the perception of movement in space.