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- Among the songs they were preparing to record was “Paint It Black,” which had been composed by Mick Jagger and Keith Richards while the group were on tour in Australia the previous month. “I wrote the melody,” stated Keith, “he wrote the lyrics.”
www.udiscovermusic.com/stories/the-rolling-stones-paint-it-black-feature/‘Paint It Black’: The Story Behind The Rolling Stones Classic
"Paint It Black" [a] is a song by the English rock band the Rolling Stones. A product of the songwriting partnership of Mick Jagger and Keith Richards, it is a raga rock song with Indian, Middle Eastern and Eastern European influences and lyrics about grief and loss.
- Raga Rock Psychedelic Rock
- The Background
- A Game-Changing Suggestion
- The Finishing Touch
- The Lyrics
- The Release and Legacy
There was a sense of urgency in the studio, but the real pressure was on delivering a new hit single. The Stones had been chart-toppers since the summer of 1964, but it was only a year ago – when “The Last Time” was released in February 1965 – that they’d begun to score with original Jagger/Richards material. A string of Number Ones followed, and i...
Yet, here they were with an arrangement for “Paint It Black” that neither matched the intensity of its forebears, nor the oppressive themes which its lyrics suggested. “‘Paint It Black’ was just going to be like a beat group number,” Jagger said. “It was just one big joke.” Then, after listening to the last playback, Bill Wyman had an unusual idea....
In pursuing this curious musical detour, guitarist Brian Jones was set to add extra color – but not with his usual six strings. “Brian had pretty much given up on the guitar by then,” stated Keith Richards. “If there was [another] instrument around, he had to be able to get something out of it, just because it was there.” Brian had floundered in th...
Now backed by this malevolent milieu, Jagger’s lyrics – which would have been far too bleak for a straightforward pop song – are perfectly pertinent. It’s a song about bereavement and the despondency one feels during that process. In it, Mick has suffered a sudden loss, and can’t bear that life must go on without his lover – his mourning has veiled...
Arriving a month behind Aftermath, “Paint It Black” was released on May 7th in the US, and the 13th in the UK, rising to the top of the charts in both countries. It would be two years before The Rolling Stones would have another Number One single. In the meantime, the impact of “Paint It Black” was being felt – in many ways. The single, which bore ...
- 4 min
Brian Jones had a lot of input into this song, but was left off the songwriting credits (Mick Jagger and Keith Richards are the credited writers). Jones did the arrangements for "Paint It Black" and many other songs around this time, but according to Keith Richards, he never presented a finished song to the group, which kept him off the credits.
- The original version was entitled “Paint It Black” without a comma. Keith Richards later said that the comma was added by the record label, Decca.
- There was no specific inspiration for the lyrics. When asked at the time why he wrote a song about death and depression Mick Jagger replied: “I don’t know.
- In 1966, the single topped both the United States and the United Kingdom charts, making it the first ever US and UK number one single to feature a sitar.
- Jagger got the line “I turn my head until my darkness goes” from James Joyce’s Ulysses.
Sep 9, 2024 · Paint It Black has inspired numerous interpretations and commentaries, some of which are quite speculative. Despite various claims, the song isn’t actually about the Vietnam War, Mick Jagger’s split with Chrissie Shrimpton, or his developing romance with Marianne Faithfull.
Jun 11, 2024 · Keith Richards and Mick Jagger penned “Paint It Black” together, and the era of Aftermath saw the duo write most of their music for the first time. Allegedly, the song featured previously-written...
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The credit for writing "Paint It Black" was given to Mick Jagger (left) and Keith Richards (right). "Paint It Black" was first written as a pop song in the minor key . The band did not like this version of the song.
