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  1. Apr 29, 2020 · When the Rajput brides entered the Mughal harem they brought with them their holy fires and their sparkling language, their busy gods, and their swaying clothes. For Akbar did not require these ...

    • Akbar

      A painting of Akbar in a drunken brawl is a history lesson...

    • Biography

      Scroll.in is an independent website covering news, politics,...

  2. Elsewhere, I have discussed Rajput por-traits of men in Rajasthan as tools of diplomacy and as historical documents.9 Here, my principal aim is to consider how one painting tradition, which was partly fostered by women, reinforced a politics of male visibility and female invisibility. The study of Rajput women as subjects, viewers, patrons,

  3. Unlike French women such as Elisabeth Vigée-Lebrun, who contributed her own self-portrait portraying herself as an artist and a woman in her own control, Rajput women had little control over their image. Both illustrations of Radha and Madam Pompadour at their toilettes were painted by men that portrayed the beauty of women.

    • Britiany Daugherty
  4. Jan 24, 2018 · Never before have I been ashamed of calling myself one. I am a Rajput woman. Never before have I been ashamed of calling myself one. I am a Rajput by birth. I grew up listening to the stories of ...

    • Ruchi Kokcha
  5. Sep 1, 2023 · Women in Rajputana were not only carriers of ultimate chastity but their honor was also connected to the bravery of their husbands. Through Rajput women, the custom of Purdah and the inaccessibility of zenana (women's quarters) became quite common even in other sections of society. The Mewar state went to the extent of prescribing dress codes ...

  6. the image expected of an elite Rajput woman and whether there was any deviation in their image from that of the stereotype image of an ideal woman that was expected in those times: meek, submissive, never complaining and ready to sacrifice herself at every stage of life. This work is an

  7. Feb 9, 2017 · The story of Tarabai, the warrior wife of Prithviraj, the second son of Rana Raimal, is recounted by Tod, and of course must be taken with a pinch of salt. Tarabai was the daughter of Rao Surthan ...