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- The Exorcist logo. The classic 1973 film about a girl possessed by a demon was so terrifying, it reportedly provoked fainting and vomiting attacks in cinemas, and was banned by a number of local authorities in the UK.
- The Omen logo. A 1976 horror about a child of the devil being born into the modern era, The Omen courted controversy by incorporating the Satanic number 666 into the ‘O’ of this logo, featured on its first theatrical poster by Tom Jung.
- The Shining logo. Stanley Kubrick’s 1980 adaptation of Stephen King’s novel is considered one of the greatest horror movies of all time. So it’s fitting that its logo was created by one of the film world’s greatest graphic designers, Saul Bass.
- Friday the 13th logo. One of the most successful franchises in history, giving birth to 12 films and counting, Friday the 13th began with a 1980 horror about a group of teenagers who get killed, one by one, at a camp.
“Everybody is a book of blood; wherever we’re opened, we’re red.” ― Clive Barker, “Books of Blood: Volumes One to Three” “What an excellent day for an exorcism.”
- 1 Jump Scares
- 2 Use of Negative Space
- 3 Body Horror and Irregular Movement
- 4 Infrasound
- 5 Using The Rhythm of The Edit
- 6 Uncommon Cinematography
- 7 Non-Linear Sound
- 8 REDlighting
- 9 Tight Framing
- 10 Suspense
It’s not the most subtle technique, and is often overused, but implementing jump scares into a film is a great way to get an immediate reaction from the audience. While horror film history is littered with lazy examples of the gimmick, jump scares can be an incredibly effective storytelling device and elicit genuine terror when employed intelligent...
Negative space is everywhere. It refers to parts of the screen we’re not really meant to be paying attention to such as a blank wall in the background or the surrounding diners in a restaurant. While designed to be practically invisible, horror directors have sought to embolden negative space with the terrors of the audience’s imagination. Den of G...
Body horror has proven to be such a popular aspect of the genre that it has long stood as a distinguished subgenre in its own right. Covering everything from intense blood and gore to parasitic monsters that horrifically transform their hosts, body horror is among the most immediately terrifyingand potent ways the genre can impact an audience. It a...
So much of the impact of horror comes not from what we see but what we hear, which is what makes the use of infrasound so intriguing. Existing at 19 Hz or lower, infrasound refers to frequencies which are just below what the human ear is able to hearand is best defined as a low, base-like hum which can give people feelings of unease, disorientation...
One of the most effective ways tone can be manipulated in film is to control the rhythm of the edit. The average shot in a film last 4-6 seconds; going slower than that can instill a sense of calmness while cutting faster creates a sense of tension. Horror revels in that brand of tension, and one of the finest examples of this technique in use is t...
Unlike most other genres of filmmaking, horror has a set of cinematography rules which are uniquely its own. According to filmschoolrejects.com, this is because horror films need audiences to identify with the protagonist on such a level that their experiences can be occupied as the audience’s own, necessitating more expansive and expressive visual...
What good would all the horrific visuals and suspense be if there wasn’t an appropriately grating soundscape to compliment them? With an ability to elicit a powerful mental reaction, non-linear sound has become something of a secret weapon within the genre. It refers to sound waves that are too loud in comparison to usual noises, with examples incl...
As an alarming signal of danger, violence, and rage, the use of red in film has always had a powerful impact on the psyche of an audience. Horror is able to take that response and dial it up to eleven, with the use of redlighting one of finest examples of the genre operating in excessive style to strike fear. Simply put, redlighting is when a shot ...
One of the fundamentals of horror is controlling what the audience can and can’t see, or, in more camera-friendly terms, what is in the frame and what is out of it. Tight framing is when little space is given around the subject of the shot, giving audiences a confined image which, in horror, can cause feelings of constriction and discomfort. Limiti...
Many greats of the genre have made comments to the effect that true fear does not reside in horror itself, but in the anticipation of it. While it may seem as simple as cutting the music and creeping towards an inevitable scare, there is a lot more to creating suspense then that. According to StudioBinder.com, everything from shot selection to prod...
- Ryan Heffernan
Feb 2, 2023 · According to a 2012 study from the University of Westminster (via The Telegraph), you can actually burn some calories while watching scary movies. Advertisement. They measured volunteers' oxygen intake, carbon dioxide output, and heart rate to put together a picture of how much energy people were using to watch different horror movies.
Whereas some of these endings may make your blood run cold with one final scare, others bring a sort of existential, nebulous sense of dread that creeps below your skin. In this list, we’ll examine horror films that offer a final haunting image, the kind of scenes carefully crafted to linger with you like a ghost.
The majority of the scenes in Pet Sematary involving Rachel's dying sister Zelda. The sound of her bones cracking and pertruding from her tarnished skin made me really uncomfortable - especially the scene when she's huddled in the corner of the room - fuck. Another just has to be the bed scene in A Tale of Two Sisters...
Oct 3, 2018 · However, despite the cold sweats and lingering nightmares, there’s still a high demand for horror. Scary movies alone have made billions of dollars in ticket sales since Frankenstein in 1931.
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