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Strong physical basis in nature
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- But consonance and dissonance do also have a strong physical basis in nature. In simplest terms, the sound waves of consonant notes “fit” together much better than the sound waves of dissonant notes.
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Feb 13, 2024 · But consonance and dissonance do also have a strong physical basis in nature. In simplest terms, the sound waves of consonant notes "fit" together much better than the sound waves of dissonant notes. For example, if two notes are an octave apart, there will be exactly two waves of one note for every one wave of the other note.
- Consonant Intervals
- Dissonant Intervals
- Resolving Dissonances
All of these intervals are considered to be pleasing to the ear. Chords that contain only these intervals are considered to be “stable”, restful chords that don’t need to be resolved. When we hear them, we don’t feel a need for them to go to other chords.
The intervals that are considered to be dissonant are the minor second, the major second, the minor seventh, the major seventh, and particularly the tritone, which is the interval in between the perfect fourth and perfect fifth. These intervals are all considered to be somewhat unpleasant or tension-producing. In tonal music, chords containing diss...
In most music a dissonance will resolve; it will be followed by a consonant chord that it naturally leads to, for example a G seventh chord resolves to a C major chord, and a D suspended fourth resolves to a D major chord. A series of unresolved dissonances, on the other hand, can produce a sense of unresolved tension.
But consonance and dissonance do also have a strong physical basis in nature. In simplest terms, the sound waves of consonant notes "fit" together much better than the sound waves of dissonant notes. For example, if two notes are an octave apart, there will be exactly two waves of one note for every one wave of the other note.
But consonance and dissonance do also have a strong physical basis in nature. In simplest terms, the sound waves of consonant notes "fit" together much better than the sound waves of dissonant notes. For example, if two notes are an octave apart, there will be exactly two waves of one note for every one wave of the other note.
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on ...
What makes some sounds dissonant? Is dissonance a property of sounds themselves, or is it part of our perception of sound? Throughout history many attempts have been made to model dissonance.
This chapter examines a wide range of approaches to consonance/dissonance, focusing on four debates: the age-old sensus/ratio discussion, contrapuntal treatises, non-Western evidence from cognitive science, and evolutionary arguments.
