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  1. Feb 26, 2018 · Even before it was an Oscar nominee, Zero Dark Thirty was clearly an Oscar movie, having racked up strong reviews and honors from critics’ groups paired with the legacy success of its director ...

    • K. Austin Collins
  2. Nov 12, 2016 · Abstract. According to the PBS programme Frontline in 2015 (and what appeared in 2012/13 to be the majority of film, journalistic and political critics), the film Zero Dark Thirty was uniquely responsible for putting forward the CIA’s version of the story that so-called enhanced interrogation techniques led to the assassination of Osama bin ...

    • Larra Anderson
    • 2016
  3. Jan 28, 2013 · January 28, 2013. Not many films in our time have produced the outraged frenzy of political activists and elected officials alike quite like Kathryn Bigelow’s latest film, “Zero Dark Thirty.”. The movie depicts the CIA’s decade-long search for Osama bin Laden and, through the eyes of one CIA officer, shows the various intelligence ...

  4. Feb 11, 2013 · In “Zero Dark Thirty,” directed by Kathryn Bigelow, many critics found the story behind the painstaking, decade-long search for the Al Qaeda leader to be captivating. Popular on Variety

  5. Oct 5, 2023 · Is the movie 'Zero Dark Thirty' CIA propaganda? • Hasian, M.A. (2014). Military Orientalism at the Cineplex: A Postcolonial reading of Zero Dark Thirty. Critical Studies in Media Communication, 31(5), 464-478. • Rekdal, A. (2013). Ethics on film: Discussion of 'Zero Dark Thirty.' Carnegie Council for Ethics in International Affairs.

  6. Oct 29, 2013 · This essay provides readers with a feminist critique of the movie Zero Dark Thirty.The film’s producers, Kathryn Bigelow and Mark Boal, have marketed this visual artifact as a liberating cinematic representation that shows how a dedicated woman led the manhunt for Osama bin Laden, but the author argues that this is more of a populist, postfeminist representation that advances militarist causes.

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  8. Dec 5, 2016 · 27 Several critics have analysed the ethical and emotional responses invited by the film's opening scenes. Shohini Chaudhuri argues that the “sanctioned brutality” depicted becomes normative, prefiguring a moral (and moralizing) script in Zero Dark Thirty “in which torture and other questionable methods … are presented as necessary and effective, justifying the self-appointed forces of ...