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- Further reconfiguring 19th-century music, Saint-Saëns doesn’t just use an organ, but also a piano, to establish and communicate themes.
utahsymphony.org/explore/2017/11/everything-you-need-to-know-about-saint-saens-organ-symphony/Everything you need to know about Saint-Saëns’ “Organ” Symphony
Although Saint-Saëns was dubbed "the French Beethoven", and his Variations on a Theme of Beethoven in E ♭ (1874) is his most extended work for unaccompanied piano, he did not emulate his predecessor in composing piano sonatas.
6 days ago · From roughly 1880 until the end of his life, his immense production covered all fields of dramatic and instrumental music. His Symphony No. 3 (1886), dedicated to the memory of Liszt, made skilled use of the organ and two pianos.
- The Editors of Encyclopaedia Britannica
Saint-Saëns’s piano concertos bucked the trend of the French musical establishment – and, says Roger Nichols, remain a legacy to be reckoned with.
Jul 4, 2019 · Originally, Saint-Saëns composed The Swan for solo cello accompanied by two pianos. (It has since been arranged many times, including for cello and one piano as seen in the video above.)
The Piano Concerto No. 5 in F major, Op. 103, popularly known as The Egyptian, was Camille Saint-Saëns' last piano concerto. He wrote it in 1896, 20 years after his Fourth Piano Concerto, to play himself at his own Jubilee Concert on May 6 of that year. This concert celebrated the fiftieth anniversary of his début at the Salle Pleyel in 1846.
Feb 24, 2022 · Famously not known for being light on their toes, Saint-Saëns characterises the elephant in a juxtaposition of light piano notes and staccato melodies with the deep, weighty tones of the double bass.
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Nov 1, 2021 · Born in Paris on October 9, 1835, Saint-Saëns was a musical child prodigy, making his public début at the Salle Pleyel as the soloist in Beethoven’s Piano Concerto No. 3 and Mozart’s Piano Concerto No. 15. He entered the Paris Conservatoire in 1848, studying piano and later, composition and orchestration.
