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  1. Dec 17, 2018 · Indeed, as mentioned at the outset of this essay, it appears that wrongful cultural appropriation can have as many faces as oppression (Young 2011). Another important facet of wrongful appropriation that is often more salient than epistemic injustice is exploitation (Rogers 2006).

    • Erich Hatala Matthes
    • ematthes@wellesley.edu
    • 2019
  2. Aug 9, 2019 · Social media is full of accusations and counter-accusations of a wrong called ‘cultural appropriation’. Our goal in this article is to sift through these deliberations and identify what cultural appropriation is, what it is not, and what, if anything might be wrong with it.

    • Patti Tamara Lenard, Peter Balint
    • 2020
  3. In this paper, I present an outline of the oppression account of cultural appropriation and argue that it offers the best explanation for the wrongfulness of the varied and complex cases of appropriation to which people often object. I then compare.

  4. May 15, 2024 · This moral analysis offers insights into avoiding and addressing wrongful cultural appropriation. On the recognition account, the key to avoiding wrongful cultural appropriation is to engage with cultural objects in ways that do not perpetuate the recognition deficits of oppressed cultural groups.

  5. Social media is full of accusations and counter-accusations of a wrong called ‘cultural appropriation’. Our goal in this article is to sift through these deliberations and identify what cultural appropriation is, what it is not, and what, if anything might be wrong with it.

  6. Apr 26, 2023 · Cultural appropriation may be more closely associated with subtle racism as individuals may not perceive appropriation as hostile. Future work could test this hypothesis by drawing participants’ attention to subtle racism.

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  8. It is the taking in this dynamic that increases inequality and marginalisation and is what Erich Hatala Matthes defines as the ‘oppression account’, his explanation of what makes cases of cultural appropriation morally wrong (Matthes, 2019).

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