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Analysing multisensory, durational and holistic art occurrences
- For art history, the multisensory stance, implies that scenography, that has long suffered from being understood as an object, a background in the theatre, or a lesser form of art, can now be (1) foregrounded as an active agent of all sorts of events and (2) as a way of thinking that is helpful for analysing multisensory, durational and holistic art occurrences.
www.tandfonline.com/doi/full/10.1080/00233609.2021.1923566
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conventional art history topics, approaches and study objects, in resonance with new sce-nography theory. The art form of gardening provides an apt example of what a sceno-graphic – multisensory and holistic – approach can contribute to art history. As gardens are eventful, durational occurrences, felt and experienced with all senses, it can be
- Astrid von Rosen
- 2021
Jun 17, 2021 · The interface of scenography and art history provides an apt context from which to re-map and re-think the underlying borders and anti-theatrical biases that frame scenographic cultures.
- Rachel Hann
Sep 10, 2021 · The interface of scenography and art history provides an apt context from which to re-map and re-think the underlying borders and anti-theatrical biases that frame scenographic cultures.
- Rachel Hann
Today, collabor-ations with artist and scenographers are often initiated by museums in order to shake things up, to open up for new, lost, and denied stories, and to create dynamic dialogue between the past and the present.
- Hedvig Mårdh
- 2021
This special issue of Journal of Art History explores scenography’s current relevance to art history more broadly and looks into ways in which art history and scenography can interact and vice versa.
Scenography and Art History reimagines scenography as a critical concept for art history, and is the first book to demonstrate the importance and usefulness of this concept for art historians and scholars in related fields.
