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The Coens always excel in this area, but in this case they elevate execution to an art form. ... Where I rank its borderline music-free score among borderline music-free Carter Burwell scores: #1 ...
- O Brother, Where Art Thou
In honor of the 30th anniversary of the Coen brothers'...
- The Movie Review
In No Country for Old Men, the Coens are at last reunited...
- Fargo
Where I rank its score, by Carter Burwell, among Coens...
- The Hudsucker Proxy
Dennis Gassner, who did the production design on Miller’s...
- Burn After Reading
As Linda Litzke, the cosmetic-surgery-obsessed dingbat,...
- Barton Fink
• The most famous shot in the film is a wonderful twofer: As...
- Blood Simple
Where I rank its score, by Carter Burwell, among Coens...
- The Man Who Wasn't There
• The Coens had mined hardboiled writer James M. Cain for...
- O Brother, Where Art Thou
Trey Wilson, also marvelous as unpainted-furniture magnate Nathan Arizona, was slated to star as mob boss Leo O’Bannon in the Coens’ next film, Miller’s Crossing, but he died of a brain ...
Sep 24, 2014 · As Linda Litzke, the cosmetic-surgery-obsessed dingbat, McDormand gets to explore the dark side of the “Minnesota Nice” persona she embodied in Fargo: a monster born equally of narcissism and ...
- Christopher Orr
Exclusive: Carter Burwell on Scoring ‘Space Force’ and 'The Morning Show', Working with the Coen Brothers. Carter Burwell is not only one of the best film composers working today, he’s also ...
Sep 21, 2016 · The influence of Raimi’s showmanship is visible in Blood Simple, in the histrionic chimes and synthesized percussion of Carter Burwell’s soundtrack; the live burial (in The Evil Dead, the victim is not alive so much as undead); the low tracking shots filmed from the perspective of a mysterious home intruder; and the screwball action of the final scene, in which a wall separates the ...
Budget. $1.5 million [2] Box office. $2.7 million [2][3] Blood Simple is a 1984 American independent neo-noir crime film written, edited, produced, and directed by Joel and Ethan Coen, and starring John Getz, Frances McDormand, Dan Hedaya, and M. Emmet Walsh. Its plot follows a Texas bartender who is having a love affair with his boss’s wife.
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Sorting the Coens’ films into three categories based on the nature of their soundtracks - scored, musical and hybrid films - this paper proposes to emphasize Burwell’s contribution to the Coens’ cinematic world.
