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As for the portion of the chapel not yet undertaken, Guarini completely revolutionized the project. In particular, Guarini redesigned the dome, in order to lighten it and give it an upward thrust. The original project included a hemispherical dome supported by piers. Guarini instead placed ornamental pediments and shell-shaped volutes. Above ...
Sep 29, 2023 · Chapel of the Holy Shroud (Capella della S.S. Sindone) Guarini arrived in Turin in 1666, about nine years into construction of a chapel to house the Holy Shroud. Wedged into a space between the cathedral and the Royal Palace, the Sindone chapel wasn’t quite an independent building, but it needed a distinctive space for the sacred relic.
As for the portion of the chapel not yet undertaken, Guarini completely revolutionized the project. In particular, Guarini redesigned the dome, in order to lighten it and give it an upward thrust. The original project included a hemispherical dome supported by piers. Guarini instead placed ornamental pediments and shell-shaped volutes. Above ...
Oct 1, 2018 · Priest and mathematician Guarino Guarini was tapped to design the room, and his creation was remarkable, including a black marble façade and intricate self-supporting wooden and marble dome.
architecture. Guarino Guarini (born January 17, 1624, Modena, Duchy of Modena [Italy]—died March 6, 1683, Milan) was an Italian architect, priest, mathematician, and theologian whose designs and books on architecture made him a major source for later Baroque architects in central Europe and northern Italy. Guarini was in Rome during 1639–47 ...
- The Editors of Encyclopaedia Britannica
Jul 14, 2015 · The Chapel of the Holy Shroud. 00:00. 00:00. Turin, capital of the Duchy of Savoy since 1563, welcomed the Shroud – which at the time belonged to the Savoy – in 1578. After demolishing the apse of the Renaissance cathedral, an extraordinary chapel was built to guard it. The dome of the Chapel of the Holy Shroud, designed by Guarino Guarini ...
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Aug 17, 2020 · The impression is that of finding oneself in a towering house of cards. The journey from the earthly realm’s darkness towards the extraordinary light that glares through the cupola’s windows is highly symbolic. With his Chapel of the Holy Shroud, Guarini demonstrated his esteem for gothic architecture, which his contemporaries then denigrated.
