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Badineries in French ouvertures by Christoph Graupner and Georg Philipp Telemann. The scherzo, as most commonly known today, developed from the minuet and trio, and gradually came to replace it as the third (sometimes second) movement in symphonies, string quartets, sonatas, and similar works.
In symphonies, sonatas, and string quartets of the 19th century, the scherzo replaced the 18th-century minuet. Unlike the rather stately minuet, originally a dance of the aristocracy, the scherzo in rapid 3 / 4 time was replete with elements of surprise in dynamics and orchestration.
- The Editors of Encyclopaedia Britannica
How did the form of the scherzo evolve over time in classical music? The scherzo evolved from the minuet, becoming faster and more playful in the late Classical period, largely due to Beethoven's influence.
Jun 11, 2018 · A movt. in S. Storace's 2nd pf. quintet (1784) is a scherzo. Beethoven was the real creator of the scherzo (as early as the Op.1 pf. trios), investing the movt. with a rough, almost savage humour, with marked rhythm, generally in 3/4 time.
The scherzo itself is a rounded binary form; but, like the minuet, is usually played with the accompanying Trio followed by a repeat of the Scherzo, creating the ABA or ternary form. This is sometimes done twice or more (ABABA).
SCHERZO (Italian for "a joke"), in music, the name given to a quick movement evolved from the minuet and used in the position thereof in the sonata forms. The term is occasionally applied otherwise, as a mere character name.
Today, modern composers continue to experiment with the scherzo form, blending traditional elements with contemporary techniques. This evolution has allowed scherzos to maintain relevance in classical music while inspiring innovation across various genres, proving that even playful music can carry significant weight within artistic expression.
