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The mastering process is often overlooked, but it can make a difference in increasing the overall consistency and coherency of a mix and consolidating the volumes all to a good level. This isn't a make-or-break stage, and won't save a bad mix, but it adds an extra touch of professionalism that helps your mix to compete with others.
- There are a bunch of different software programs DJs can use to make mixes. Some of the long-running programs include Virtual DJ, Traktor, Serato,...
- DJs can get songs to mix in their sets from a range of sources. There are tonnes of websites and platforms where you can discover and download musi...
- To start a DJ mix, you first need to create a playlist of tracks you want to play. Then you need to arrange them in a logical and flowing order. Th...
If a mix is bad enough, it can make a good song sound awful. That's why as an artist, you simply can't afford to overlook the mixing stage. The Role of the Mixing Engineer. A mixing engineer knows how to mix music and balances levels of instruments and sounds in music. They use effects and techniques to create a cohesive atmosphere.
- Get Industry-Quality Every Time
- What Is Mixing?
- Step 1: Prep
- Step 2: Volume Balance
- Step 3: Compression
- Step 4: EQ
- Step 5: Space
- Step 6: Volume Automation
- Step 7: Effects
- Step 8: Final Checks
I’m guessing you’re here because you want to make your mixes sound professional. We put together a brief training that covers a totally new approach to music production. Until now, everyone has been teaching production totally backward. Just click below to watch. But if you just want to learn about the basics of mixing first, keep reading.
So before we get into how to mix a song, we need to figure out what mixing actually is. When I first started mixing, I thought it was just about putting cool effects on the vocals and guitars. I’d spend hours tweaking my delays and phasers, only to be disappointed that my mix stillsounded like trash. It took me almost a year to realize that effects...
Before you can begin to mix, you have to prep your session. The more organized you are, the faster you’ll mix. It also keeps you from getting overwhelmed by the mess of audio files you have. A good prep will even improve the quality of the audio! There’re 12 steps involved with prepping your session. Check them out below: Most of these steps are pr...
The most powerful tool in your mix toolkit isn’t compression or EQ… it’s volume. The volume balance of your mix is the most important step to nail for a radio-ready song. To get a great volume balance, try following these steps: This volume balancing system is pretty simple, but it’s verypowerful. To learn more about volume balancing, check out thi...
Compressionlevels out the dynamics of an instrument and shapes its tone. In layman’s terms, it compresses the volume of an instrument. When an instrument gets too loud, a compressor turns it down. Compression is used all over mixes to make your tracks more consistent, more exciting, and more cohesive. Before we learn how to use a compressor, let’s ...
An equalizer (or EQfor short)is a mixing tool that helps to shape the tone of an instrument. It’s essential to creating a mix that “fits” together. This may seem a little vague right now, but stick with me. Before you can learn what an EQ is, you need to understand the frequency spectrum. Music is created by different sound waves interacting with e...
By now, you’ve created a pretty decent mix using volume, compression, and EQ. But the instruments still feel like they’re competing for the same “space” in the mix. What can you do? Imagine a stage. The whole band is playing on it, and the listener is below in the crowd. Right now, your mix is one-dimensional. That means that every instrument in yo...
Right now, the section you’ve been looping probably sounds great. You’re probably feeling pretty happy with it. But if you listened through the entire song, you’d realize that every other section sounds… weird. That’s because you’ve made your volume balance to fit the loudest section of the song. Not every second of the song will have the same volu...
Now that your entire song is sitting well, it’s time to add something fun. Effects are great to give your song a tonal edge. They help to create interest in the soundof the song, rather than relying on just the song itself. There’re tons of different effects that you could add to different sections of a song. Far more than we can cover in one artic...
And with that, you’re almost done! Now it’s time to go through with a fine-tooth comb and make sure everything is fitting well. During your final checks, anything is fair game. You may need to tweak the EQ of a guitar, or change the compression of a bass, or add more reverb to a vocal. You may need to add more effects to the drums during the verses...
- Chris Alker
- Mix A DJ Set Live Or In Ableton? The answer is simple, purpose. If your mix is going to be used to get a gig, mix it live. You want the mix to represent what you can do live.
- Know Your DJ Set’s Audience. The mix you make to get a DJ gig at a nightclub will no doubt be entirely different than the mix you make for a dinner party of your closest friends.
- Diagram Your Set’s Direction. A helpful tool dance music producers swear by is creating a diagram that illustrates the energy levels they are looking to reach throughout the course of the song.
- Track Selection & Order. Track selection is largely a product of personal taste and your target audience, whereas track order is determined by the energy levels you hope to achieve.
Feb 27, 2024 · Reverb can help fill out your mix and make it sound more interesting; Step 1: Get Good Recordings. ... This will train your ears and brain to know what a good mix should sound like. That way, you ...
Collect the songs you want to mix together. This depends on what the intentions behind your mix are. If you want to create a good mix, then make sure you choose songs that go well together, and have the option to flow nicely. The larger your library is, the more options you have.
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Nov 9, 2023 · Tame harsh frequencies: Identify and reduce piercing or harsh frequencies that can make your mix unpleasant. Removing excessive Low-End: Eliminate unnecessary low-end frequencies in non-bass instruments or vocals for a cleaner mix. Attenuate resonances: Target and reduce resonant frequencies that could lead to ringing or muddiness. Carve Out ...
