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Jan 20, 2021 · La notte (1961) Lidia wanders the streets with no particular purpose, except perhaps to escape her reality for a time before the coming night. Communication in these streets, as in so many of Antonioni’s films, never reaches its intended destination but simply echoes and reverberates between the walls of buildings before dying away.
La Notte ([la ˈnɔtte]; English: "The Night") is a 1961 drama film co-written and directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti.
Sep 15, 2016 · For Antonioni, beginnings and endings aren’t plot points on a narrative graph; they resonate everywhere, entwined and inseparable. A valedictory sorrow suffuses “La Notte.”
Feb 6, 2015 · Conventional plot summaries of the film routinely insist that La notte centres around a male author, Giovanni Pontano (Marcello Mastroianni), his uncertain career, and his failing relationship with his wife, Lidia (Jeanne Moreau), as well as his flirtations with beautiful socialite Valentina Gherardini (Monica Vitti).
- Gwendolyn Audrey Foster
Dec 14, 2012 · “‘La Notte’ is supposed to be a study in the failure of communication, but what new perceptions of this problem do we get by watching people on the screen who can’t communicate if we are never given any insight into what they could have to say if they could talk to each other?”
Apr 12, 2023 · “La Notte” explores themes of alienation, existentialism, and the breakdown of communication in modern society. Antonioni uses the urban landscape of Milan as a metaphor for the characters’ emotional isolation.
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Sep 9, 2016 · Antonioni’s most emotionally acute and devastating deconstruction of the interpersonal travails of the bourgeoisie, the film remains at once the most bracingly concrete and amorously diffuse of the director’s—for lack of a better word—structuralist period.
