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  1. Mar 17, 2013 · Though there are Surrealist elements at work in all of his films, I suggest Lynch’s most recent two in particular – Mulholland Dr. (2001) and Inland Empire (2006) – extend dream-like aesthetics sufficiently enough to move beyond normal parameters and bring the very fabric of their diegeses into question. As such, both films seem to embody the key qualities of a Surrealist aesthetic, and ...

    • Michael Pattison
  2. Jan 4, 2024 · And so, calling Lynch’s Mulholland Drive dream-like is the greatest compliment there is. Lynch made his film in a way that demands to be felt, evoking raw emotion and making our conscious, rational minds take a backseat to our subconscious ones that momentarily get plugged in and proceed to pick up on symbols, repetitions and visual cues—just like they would if we were dreaming.

  3. May 16, 2021 · 4.6. Today, May 16th 2021, marks the 20th anniversary of one of the esteemed director David Lynch ‘s most accomplished and visceral works, Mulholland Drive. The 2001 offering from the mastermind behind Twin Peaks brims with surrealism, neo-noir and mystery, and, of course, it is with these three Lynchian hallmarks that make it a challenging ...

  4. Mar 18, 2022 · Of the many memorable scenes found in Mulholland Drive, one stands out as one of the most impactful moments found in Lynch’s filmography: Betty and Rita’s late-night visit to the surreal Club Silencio. Not only is it the climax for the entire film, but a closer look reveals a profound message about the true magic of cinema.

  5. Apr 1, 2023 · At its core, Mulholland Drive is a film about the American Dream, one of Lynch’s favourite topics to explore within his work. Mulholland Drive is divided into two realms: reality and Diane’s dream world. The dream world comes first, although clues that we’re witnessing an idealised fantasy are dropped throughout, with these motifs, such ...

  6. Nov 30, 2014 · Lynch’s use of mirrors in Mulholland Drive, as both narrative device and symbolic object, demonstrates both the duality of the protagonists and how he draws parallels between old and new Hollywood. In the scene where the amnesiac brunette assumes the name ‘Rita’ there are two core components that highlight how Lynch creates a link between Hollywood eras.

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  8. Nov 16, 2022 · In “Mulholland Drive,” Lynch analyzes Hollywood’s politics through the lead character Diane’s dreamstate. Lynch uses his characteristic surrealism and recreates the feeling of a dream onscreen in “Mulholland Drive” to tell the story of Diane Selwin (Naomi Watts), a struggling actress. Originally introduced to the audience as Betty ...

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