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  1. Summary: Throughout the play, Romeo and Juliet mature significantly. Initially, Romeo is impulsive and infatuated, while Juliet is naive and obedient. As their love deepens, Romeo becomes more ...

  2. Romeo and Juliet. Romeo Character Analysis. The name Romeo, in popular culture, has become nearly synonymous with “lover.”. Romeo, in Romeo and Juliet, does indeed experience a love of such purity and passion that he kills himself when he believes that the object of his love, Juliet, has died. The power of Romeo's love, however, often ...

  3. The Forcefulness of Love. Romeo and Juliet is the most famous love story in the English literary tradition. Love is naturally the play’s dominant and most important theme. The play focuses on romantic love, specifically the intense passion that springs up at first sight between Romeo and Juliet. In Romeo and Juliet, love is a violent ...

  4. During the balcony scene, Juliet laments her discovery that Romeo is a Montague, which demonstrates the conflict between romantic love and familial love 3 “Tybalt, the reason that I have to love thee / Doth much excuse the appertaining rage” – Romeo

  5. Love influencing decisions. They quickly marry and plan their future together. Juliet refuses to marry Paris and fakes her death so she can be with Romeo. Romeo lays next to Juliet and kills himself because he thinks she is really dead and cannot face life without her. Juliet then kills herself because she cannot live without Romeo.

  6. Romeo and Juliet. Juliet Character Analysis. Having not quite reached her fourteenth birthday, Juliet is of an age that stands on the border between immaturity and maturity. At the play’s beginning, however, she seems merely an obedient, sheltered, naïve child. Though many girls her age—including her mother—get married, Juliet has not ...

  7. Apr 2, 2020 · Romeo’s love for Rosaline is shallow, and nobody really believes that it will last, including Friar Laurence: Romeo: Thou chid'st me oft for loving Rosaline. Friar Laurence: For doting, not for loving, pupil mine. (Act Two, Scene Three) Similarly, Paris’ love for Juliet is borne out of tradition, not passion.