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Tokarczuk answers this question in one of the novel’s last sections, “Final Timetable.” The narrator joins other travelers at an exhibit to view preserved bodies and pieces of bodies through Plexiglass boxes. She notes that “one such person-body lay before us now, cut up into slices.
Olga Tokarczuk: The first, the very, the simplest answer should be connected with place of my growing up and also in the places where I used to live and it’s always kind of karma because I was born close to the German border and then I now living close to Czech border.
Jan 31, 2022 · Olga Tokarczuk approaches fiction in a way uniquely suited to the fragmentation of the late twentieth and early twenty-first centuries, collapsing boundaries among time periods and countries.
However, without being able to have the final world on which one, between Tokarczuk with her art and psychoanalysis, owes to the other, i.e. whether it is art that enriches and enlightens psychoanalysis, or whether it is rather the latter that allows us to understand art.
Dec 7, 2019 · This question, innocent from the reader’s point of view, sounds to the writer’s ear truly apocalyptic. What am I supposed to say? How am I to explain the ontological status of Hans Castorp, Anna Karenina or Winnie the Pooh?
Interview with Literature Laureate Olga Tokarczuk on 6 December 2019 during the Nobel Week in Stockholm, Sweden. Read the interview. Olga Tokarczuk answers the following questions (the links below lead to clip on YouTube): 0:06 – Your parents were both teachers. How did that influence you? 1:35 – Did you enjoy school?
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Sep 13, 2021 · Deborah Treisman interviews the author Olga Tokarczuk about “Yente,” her story from the September 20, 2021, issue of The New Yorker.
