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  1. Oct 31, 2017 · It’s almost unfair that David Lynch could produce the scariest scene of at least the last 25 years, if not longer, in a movie that isn’t even a horror movie. Not entirely, at least. Not ...

    • Mulholland Drive

      The Dumpster Monster Scene in 'Mulholland Dr.' Is Still the...

  2. Oct 23, 2014 · True, Mulholland Drive doesn’t fit into any of today’s typical horror subgenres: It’s not a slasher movie, it’s not a monster flick, and there’s no haunted house. The only zombies, ghosts, or...

    • Movie Critic
  3. Jul 29, 2022 · In fact, all of Lynch's movies, with the exception of the lovely "The Straight Story," could easily classify as horror. And "Mulholland Drive" features his scariest scene.

    • Chris Evangelista
    • Is 'Mulholland Dr' the scariest thing ever happened?1
    • Is 'Mulholland Dr' the scariest thing ever happened?2
    • Is 'Mulholland Dr' the scariest thing ever happened?3
    • Is 'Mulholland Dr' the scariest thing ever happened?4
  4. Aug 13, 2021 · Most people would not consider David Lynch’s Mulholland Drive to be a horror movie. But if that’s the case, then why is it scarier than 99.99% of the horror movies that I’ve ever seen?

    • Rich Knight
    • What Happens in Mulholland Drive's Ending
    • Are Diane & Betty The Same person?
    • The Audition & Theater Scenes Explained
    • The Blue Key Explained
    • Who Is The Real Villain in Mulholland Drive
    • The True Meaning Behind Mulholland Drive's Ending

    Mulholland Drivetakes a puzzling turn in its final minutes, deconstructing everything it has built so far. Betty (Naomi Watts) and Rita (Laura Harring) disappear, and now the story revolves around Diane Selwyn, a struggling actress who looks exactly like Betty. She wakes up in the same apartment where Betty and Rita found the dead woman, and she re...

    Most of what viewers see inMulholland Driveis actually a dream that occurs inside Diane's head, where her distressing reality is replaced by fabricated fantasies. In this dream, she becomes Betty, an innocent young actress with a promising future ahead, and Camilla is Rita, a woman who got involved in a car crash and lost all her memories. Diane's ...

    Betty's audition scene is closely related to the scene where Rita and Betty watch a performance at Club Silencio. The audition is such a turning point because it probably represents the moment the real Diane realized her dreams wouldn't come true, unlocking valuable clues about Mulholland Drive’s true meaning. Immediately after Betty's successful, ...

    The dream version of Joe (Mark Pellegrino), the hitman, is a clumsy man who nearly messes up his mission entirely. The whole office scene in which a simple hit turns into a chaotic chain of events represents Diane's wishes for Camilla's hit to go wrong. Her subconscious makes out Joe as an incompetent killer and lighten the violence that surrounds ...

    The dumpster monster is the key to realizing that Diane is Mulholland Drive's true villain. When the creature appears later on holding the blue box, one can assume that the monster is the personification of Diane's ugly part. The scene in which the monster first appears is directly linked to Diane ordering Camilla's death, thus the moment the monst...

    In Mulholland Drive's ambiguous ending, it's funny how much of reality translates into a dream and vice-versa. For example, the cowboy character (Monty Montgomery) tells Adam he'll appear two more times if things go bad, and that's exactly what happens when the truth about Diane begins to unfold: although he's just a random guy at a party, he break...

  5. Jul 5, 2018 · The most obvious explanation of the movie is that the actress Betty is actually Diane Selwyn. The first two-thirds of the film is actually a perfect fantasy that is created by Betty (Diane) played by Naomi Watts. In the real world, she is depressed, washed up and suicidal.

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  7. If Blue Velvet was a bizarre peek into the dark underbelly of American suburbia - through the lens of film noir - then Mulholland Drive is a look into the seedy recesses of Hollywood by way of prism that fractures reality.

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