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  1. Sep 4, 2016 · Sunayan Bhattacharjee. September 4, 2016. When it comes to recreating a certain space-time continuum on reel, there has hardly been anyone as gifted as the uniquely crafty Indian filmmaker Satyajit Ray. In one way, his self-declared cinematic masterpiece ‘Charulata’ (1964), known globally as ‘The Lonely Wife’, perfectly embodies the ...

  2. TOP CRITIC. Deliberately paced and painfully sad, this may not be the ideal first-date movie but its subtle power will get under your skin. Full Review | Original Score: 4/5 | Aug 18, 2014. Philip ...

  3. Aug 20, 2013 · Charulata: “Calm Without, Fire Within”. R abindranath Tagore (1861–1941), poet, playwright, novelist, philosopher, composer, painter, and winner of the Nobel Prize in Literature, was the towering figure of the Bengali Renaissance. Among his lasting achievements was the founding in 1921 of his “world university,” Visva-Bharati, at ...

  4. Apr 29, 2004 · Review: Charulata. Like any great work of art, it reveals more to the spectator each time it’s experienced. In an interview with Cineaste magazine, Satyajit Ray praised Charulata, saying, “ [It’s] a film that I would make the same way if I had to do it again.”. The film affords a dazzling view of Ray’s mastery of the medium and gives ...

  5. Charulata is Satyajit Ray's masterpiece. No other movie is so brilliantly subtle, so timeless in quality. Indeed, Ray himself described Charulata as the only flawless movie he had directed. Like the Apu trilogy, and many other Ray movies, Charulata deals with universal themes.

  6. Jul 17, 2024 · However, compared to other of Ray's early films, ‘Charulata’ feels longer and moves slower. Still, it is a persistently fascinating movie, especially Soumitra Chatterjee's nearly celestial performance. ‘Charulata’ is placed in a sophisticated, urban setting, in contrast to the ‘Apu trilogy’, one of Ray’s finest works.

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  8. May 13, 2019 · A sense of loss descends on the once buzzing household and newspaper. As in Ray’s coming-of-age Apu trilogy, Charulata examines the Indian caste system and revisits the themes of family relationships and artistic aspiration. Amal, Bhupati and Charu are all bonded by location and family, but they all place value on entirely different things.

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