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- Orson Welles helms this economical 100 minute flick in front of and behind the lens. While it is an effective little thriller, this story of a forgetful vulnerable magnate does have a very abrupt ending that may disappoint many viewers.
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Jul 6, 2024 · No matter what version you see, Mr. Arkadin is essential viewing, an underrated gem in the Welles cannon even in its mutilated state. Mr. Arkadin. Mystery. Thriller. Mr. Arkadin, directed by...
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Apr 17, 2006 · The great and powerful, unspeakably shady international financier Gregory Arkadin (Welles) finagles a supremely unlovable American gold digger, Guy van Stratten (radio actor Robert Arden), into hopscotching the world—not just Spain, Munich, and the Côte d’Azur, but a made-up Acapulco, a studio Amsterdam, and a phony North Africa—on a treasure hu...
Dec 20, 2006 · It's a lot of work to watch it if you want to watch it right, but it's worth it. Not every day that you get to watch a new Orson Welles film three times in a row. Categories: adventure, mysteries, orson welles, sunday classic movies, thrillers. Mr. Arkadin - Movie review by film critic Tim Brayton.
Nov 5, 2000 · These masks can be physical, metaphorical or both; Mr. Arkadin (1955), a French/Spanish production that Welles shot during his forced exile from the United States, falls into the third group. Orson Welles’ films are full of masks and false doubles; they’re always morally ambiguous.
Mr. Arkadin (first released in Spain, 1955), known in Britain as Confidential Report, is a French-Spanish-Swiss co-production film noir, written and directed by Orson Welles and shot in several Spanish locations, including Costa Brava, Segovia, Valladolid, and Madrid.
Apr 7, 2006 · It's not nearly the work of genius "Evil" turned out to be - and for reasons tied to its infamous production history, it's rather incomprehensible at times - but there's a playful tone and curious spirit pouring out of every scene, proving that Welles always made something well worth watching.
Sep 18, 2012 · So, was Mr. Arkadin worth waiting for? Yes, I think so. It still retains enough Wellesiana to fit nicely with his other work. Like Citizen Kane, it is about a very rich and powerful man’s efforts to thwart an investigation of his past.
