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  1. A Rainy Day in New York is a 2019 American romantic comedy film written and directed by Woody Allen, and starring Timothée Chalamet, Elle Fanning, Selena Gomez, Jude Law, Diego Luna, and Liev Schreiber. The film follows the romantic exploits of two young college students, Gatsby and Ashleigh (Chalamet and Fanning), while on a weekend visit to New York City, Gatsby's hometown.

  2. Kids say(5 ): This romcom is, above anything else, incredibly true to its creator Woody Allen -- enriched with his familiar use of witty, self-deprecating language and romantic flair. The problem is that A Rainy Day in New York feels like a pastiche of his work, lacking in any real identity of its own. Because Allen writes in his own voice, the ...

    • Woody Allen
    • Stefan Pape
    • Signature Entertainment
  3. Jan 2, 2020 · Advertisement. On the surface, A Rainy Day in New York is a pleasant lark, but it’s possessed of dark, neurotic underpinnings. For one, the name Roland Pollard uncomfortably recalls Roman Polanski, who, like Allen, has been unofficially excommunicated from Hollywood. In certain moments, it’s as if Allen is practically daring his audience to ...

  4. Visually, it’s a treat – New York in the rain has its own aesthetic, and that’s captured pretty well. But when it comes to the story and the dialogue, it’s like listening to a cover band that doesn’t quite get the soul of the original songs. In short, “A Rainy Day in New York” is a bit of a mixed bag.

  5. Oct 8, 2020 · Woody Allen’s strange, delayed new movie, explained. The world has changed a lot since A Rainy Day in New York was shot. Timothée Chalamet in A Rainy Day in New York, which is finally in US ...

  6. Oct 6, 2020 · Here’s an odd bit of personal 2020 trivia: The last movie I bought a ticket to see in a theater was “A Rainy Day in New York.”. That was in January, when I squandered part of a wintry ...

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  8. Oct 9, 2020 · Allen’s latest film, “A Rainy Day in New York,” feels like a work from someone in the midst of that very same condition. This is Allen’s 48th movie (a 49th, “Rifkin’s Festival,” premiered last month) and while he has certainly made worse films than this one during that time, rarely has he come up with something as utterly ...

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