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      • A recent study found mild dissonances to be more preferred than consonances in single chord perception, although the authors did not systematically vary register and consonance in their study; these omissions were explored here.
      www.ncbi.nlm.nih.gov/pmc/articles/PMC4934671/
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  2. Jun 27, 2016 · A recent study found mild dissonances to be more preferred than consonances in single chord perception, although the authors did not systematically vary register and consonance in their study; these omissions were explored here.

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      A recent study found mild dissonances to be more preferred...

  3. A recent study found mild dissonances to be more preferred than consonances in single chord perception, although the authors did not systematically vary register and consonance in their study; these omissions were explored here.

  4. A recent study found mild dissonances to be more preferred than consonances in single chord perception, although the authors did not systematically vary register and consonance in their study; these omissions were explored here.

  5. May 26, 2020 · The contrast between consonance and dissonance is vital in making music emotionally meaningful. Consonance typically denotes perceived agreeableness and stability, while dissonance ...

    • Imre Lahdelma, Tuomas Eerola
    • 2020
  6. Jan 31, 2019 · The role of theoretical explanations such as aggregate dyadic consonance, the inverted-U hypothesis, and psychoacoustic roughness, harmonicity, and sharpness will be discussed to account for the preference of mild dissonance over consonance in single chord perception.

  7. May 19, 2016 · A recent study found mild dissonances to be more preferred than consonances in single chord perception, although the authors did not systematically vary register and consonance in their study; these omissions were explored here.

  8. Feb 2, 2023 · There is evidence that listeners prefer medium degrees of harmonic complexity, consonance and roughness in single chords, consistent with the inverted U hypothesis [3, 23].

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