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Dec 1, 2014 · This article offers an overview of a research program related to the metaphorization of music. In a short analysis, the omnipresence of metaphors in the written discourse about music is first...
- Mihailo Antovic
Feb 17, 2015 · This article offers an overview of a research program related to the metaphorization of music. In a short analysis, the omnipresence of metaphors in the written discourse about music is first highlighted.
Both music and language, for instance, are unique to the human species, both unfold over time, both have syntactic properties, and both make use of sound. Indeed, the notion that music is a language is the basis for some of the most prevalent metaphors used to describe music.
May 31, 2022 · The present paper uses the cognitive-linguistic theories of conceptual metaphor and conceptual blending and the author’s proposal for a “multilevel-grounded semantics” to suggest that the form/content dichotomy in music is in fact a matter of degree.
- antovicm@hu-berlin.de
Mar 24, 2021 · While many theories encapsulate one or the other, very little empirical data is available to test a possible link between the two. In this article, we examined the metaphorical and emotional contents of Western classical music using the answers of 162 participants.
We analyze the 3 most important metaphors of musical motion: the "MOVING MUSIC" metaphor, the "MUSICAL LANDSCAPE" metaphor, and the "MOVING FORCE" metaphor. We show how each metaphor is grounded in a particular basic experience of physical motion and physical forces and how the logic of physical motion…. Expand.
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Oct 22, 2007 · Philosophy of music is the study of fundamental questions about the nature of music and our experience of it. Like any ‘philosophy of X’, it presupposes a knowledge of its target area of study.