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Sep 25, 2014 · Our main findings are: (a) the presence of metaphors in academic discourse on music (29%) is significantly higher than in academic discourse in general (19%; Steen, Dorst, Herrmann, Kaal, Krennmayer, & Pasma, 2010); (b) most of the identified metaphors to describe musical motion are correlational metaphors (Grady, 1999); and (c) metaphors for musical motion are structured in the same way as ...
- Paula Pérez-Sobrino, Nina Julich
- 2014
Our main findings are: (a) the presence of metaphors in academic discourse on music (29%) is significantly higher than in academic discourse in general (19%; Steen, Dorst, Herrmann, Kaal, Krennmayer, & Pasma, 2010); (b) most of the identified metaphors to describe musical motion are correlational metaphors (Grady, 1999); and (c) metaphors for musical motion are structured in the same way as ...
- Nina Julich-Warpakowski
Our main findings are: (a) the presence of metaphors in academic discourse on music (29%) is significantly higher than in academic discourse in general (19%; Steen, Dorst, Herrmann, Kaal, Krennmayer, & Pasma, 2010); (b) most of the identified metaphors to describe musical motion are correlational metaphors (Grady, 1999); and (c) metaphors for musical motion are structured in the same way as ...
- Totilė Levandauskaitė, Inesa Šeškauskienė
If metaphor in musical discourse proves to be highly pervasive, the question arises how metaphorical these metaphors really are. If there is hardly any way of referring to music other than metaphorically, expressions relating to musical items seem to have almost literal status or are “music-literal” (cf. Guck 1991). In the light of these ...
This article aims to provide a corpus-based evidence of (a) the ubiquitous presence of metaphors in verbal discourse about classical music and (b) the embodied basis of metaphors for musical motion.
Jul 22, 2018 · Conceptual Metaphor Theory offers a framework for the motivation of the rich metaphorisation of musical discourse. Johnson and Larson (Metaphors Musical Motion. Metaphor Symbol 18:63–84, 2003) assume that our understanding of music is largely based on our understanding of time. Thus, as time is conventionally understood in terms of motion ...
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Sep 25, 2014 · This article aims to provide a corpus-based evidence of (a) the ubiquitous presence of metaphors in verbal discourse about classical music and (b) the embodied basis of metaphors for musical motion. We analyzed authentic examples extracted from a 5,000-word corpus of texts taken from peer-reviewed music academic journals. We applied a systematic method to identify metaphor-related words ...
