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- Music and language are two cognitive systems that are uniquely human. In reasoning or speaking about music, we make use of basic and conceptual metaphors. If we perceive a piece of music, we need to rapidly process the incoming auditory input and integrate it into mentally manipulable units or mental representations that can be further processed.
www.researchgate.net/publication/233920350_Conceptual_Metaphor_Theory_and_the_Conceptualization_of_MusicConceptual Metaphor Theory and the Conceptualization of Music
Aug 1, 2016 · Music experience involves physical, biological, cognitive, and contextual processes. We propose that metaphor acts at key stages along and between these processes. We suggest that metaphor mediates between language, emotion, and aesthetic response. Music is often described in terms of emotion.
- Alessia Pannese, Marc-André Rappaz, Didier Maurice Grandjean
- 2016
music is perceived as expressing the property F, then some feature of the music, possibly a re- lational feature, is heard metaphorically-as F. As the pots in Zurbaran’s painting can be seen
Jan 1, 2015 · therefore, with a perceptual fact which can be verbally described b y metaphor. Further than perception, “higher and lower” tones can be allocated to dif ferent positions in the musical ...
- Mihailo Antovic
May 31, 2022 · According to some, and more controversially, even pre-linguistic music perception may be considered metaphorical, as the “metaphor [...] defines the intentional object of musical experience” (Scruton, 1999: 92, italics mine).
- antovicm@hu-berlin.de
Jul 1, 2009 · Are the Metaphors in the Perception of Music Reciprocal or Invertible? Laurence Dreyfus says that in the musical examples he cites, metaphorical content (if such there be) ‘only arises when both terms of the metaphor are considered invertibly’, and that this applies in our appreciation of some other forms of art too.
- Christopher Peacocke
- 2009
Mar 24, 2021 · Movement-based metaphors (e.g., bouncing and flowing) are also used to shape the musical performance, as they are often used in music lessons to provide a critical link between the music being presented and the emotion felt (Woody, 2002).
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Jul 1, 2009 · When a piece of music is heard as expressing some property F, some feature of the music is heard metaphorically-as F. The metaphor is exploited in the perception, rather than being represented.
