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Oct 9, 2020 · Analysis of survey data readily identifies a popular categorization of science fiction and fantasy that does not demand lengthy discussion of the aesthetic value or sociological basis of content. Content categorization defines science fiction and fantasy empirically.
- Christopher Benjamin Menadue, Kristi Giselsson, David Guez
- 2020
Oct 9, 2020 · These align with some academic theories but differ from postmodern approaches as the analysis suggests science fiction can be defined categorically. The empirical survey data are consistent and demonstrate an unmistakable distinction between popular definitions of science fiction and fantasy.
- Christopher Benjamin Menadue, Kristi Giselsson, David Guez
- 2020
Sep 10, 2019 · In this study, we examine the methodological issues that arise in the semantic and stylistic classification of recurrent narrative patterns, with particular attention paid to “big data” analysis based on large corpora of text.
- Vannina Goossens, Clémence Jacquot, Susanne Dyka
- 2020
Jun 5, 2018 · A recent survey (Menadue, 2017a) identified that the popular definitions of science fiction and fantasy are very sharply defined compared with the academic discussion, and the findings indicate that in the imagination of readers of science fiction it is not considered to be a subset of fantasy literature but a companion by contrast.
- Christopher Benjamin Menadue, Susan Jacups
- 2018
Jan 9, 2018 · Meanwhile, fiction lists are dominated by what is usually called “literary” fiction, a term that is defined not so much by what it is as what it isn’t—fantasy, mystery, science fiction, romance novels, and other so-called “genre” fiction.
- Maggie Anderson
Jul 22, 2024 · Science fiction and fantasy each have two established categories that all of their works should fall under. This section is mostly to give some context on the range of science fiction and fantasy being covered. Science fiction can be separated into ‘hard’ and ‘soft’ science fiction.
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Oct 2, 2014 · As genre, science fiction is succinctly described by Luckhurst as “speculation on the diverse results of the conjuncture of technology and subjectivity” (222), which is very much in keeping with conventional ideas about science fiction as “thought experiment.”.