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Very good performance
- The Saint-Saëns Organ Symphony is a very good performance, though Edo de Waart improved on it still further both interpretively and sonically in his San Francisco remake. Still, the bracing opening movement and beautifully flowing Poco adagio linger sweetly in the mind, while an aptly sensational finale makes up for the slightly droopy scherzo.
www.classicstoday.com/review/review-9577/
The Saint-Saëns Organ Symphony is a very good performance, though Edo de Waart improved on it still further both interpretively and sonically in his San Francisco remake.
- Saint-Saëns: Organ Symphony SACD
Between the mindlessly pedantic “authenticists” and the...
- Saint-Saëns: Organ Symphony SACD
The Symphony No. 3 in C minor, Op. 78, was completed by Camille Saint-Saëns in 1886 at the peak of his artistic career. [1] It is popularly known as the Organ Symphony, since, unusually for a late-Romantic symphony, two of the four movements use the pipe organ.
Sep 10, 2024 · @AnnaLapwoodOrgan plays the final movement of Camille Saint-Saëns' mighty 'Organ' Symphony No.3 on the Royal Albert Hall's grand organ, the second largest in...
- 9 min
- 153.6K
- Classic FM
Enjoy this mesmerizing performance of the Symphony No. 3 "avec orgue" (with organ) which was completed by Camille Saint-Saëns in 1886 – at the artistic heigh...
- 37 min
- 12.1K
- Cordless Music
Between the mindlessly pedantic “authenticists” and the narcissistic micro-managers, good, solid generalists with the ability to give freshly idiomatic performances of a wide-ranging repertoire seem ever more difficult to find.
Saint-Saëns’ C minor Symphony, “avec orgue” (with organ) is the third and very last of his symphonies, naming itself as one of his most beloved works throughout his tremendous musical career. As a piece cast in two movements, “Organ” is nearly unprecedented in 19 th century symphonic composition.
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Saint-Saëns: Symphony No. 3/Barenboim. David Hurwitz. Artistic Quality: 10. Sound Quality: 9. This celebrated recording of Saint-Saëns’ Third stands as one of the very few performances to challenge the acclaimed Munch/Boston version on RCA.
