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  1. Sep 9, 2016 · But this shortsighted view does a disservice to the substantial merit of La Notte as a standalone work. Antonioni’s most emotionally acute and devastating deconstruction of the interpersonal travails of the bourgeoisie, the film remains at once the most bracingly concrete and amorously diffuse of the director’s—for lack of a better word—structuralist period.

  2. Jan 20, 2021 · La notte (1961) The rain arrives briefly and seems to wash inhibition away for a time. Water falls onto patios and into a swimming pool. It fills the silence for a moment. It’s no wonder Lidia walked earlier. It’s all that’s left to do. When the party’s over and the night is leaving, Lidia and Giovanni wander again.

  3. Sep 15, 2016 · The virtuosic 1961 drama is the second film in what’s regarded as a trilogy, beginning with “L’Avventura,” Antonioni’s international breakthrough, and concluding with “L’Eclisse.”

  4. La Notte (1961) 2022: Movie #257. Watched September 8th. On the Criterion Channel ( Spine 678) IMDB. Directed by: Michelangelo Antonioni. Written by: Michelangelo Antonioni, Ennio Flaiano, Tonino Guerra. TSPDT: 231. 122 minutes.

  5. Oct 30, 2013 · La notte ‘s diminished standing as the most neglected and least appreciated of the three films in Michelangelo Antonioni’s early 1960s “alienation trilogy” can at least partly be traced to its lack of availability for quite a few years. The old Fox Lorber DVD issued in May of 2001 has been out of print for several years, leading to a ...

  6. Sep 25, 2024 · Moodily sensual cinematography and subtly expressive performances make La note an indelible illustration of romantic and social deterioration. Picture 9/10 A long time coming ( L’Eclisse was released by Criterion 8 years ago, L’Avventurra 4 years before that) Criterion finally releases Michelangelo Antonioni’s La notte on Blu-ray in the aspect ratio of 1.85:1 on this dual-layer disc.

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  8. Feb 19, 2022 · In La Notte, Lidia is the perpetual observer, and we the observers of the observer. This escalates with the film’s second half, in which Giovanni and Lidia attend a vast villa party with their ...

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