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Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones. However, at many times and places, images of the Buddha in art have been very largely single devotional images without narrative content from his life on Earth.
Gandharan artists made use of both stone and stucco to produce such images, which were placed in nichelike shrines around the stupa of a monastery. Contemporaneously, the Kushan-period artists in Mathura, India, produced a different image of the Buddha.
It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
5 days ago · Reliquaries, sculptures, and paintings produced in China, the Himalayas, Japan, Korea, and South and Southeast Asia provide insight into the rich iconography of Buddhism, the technical virtuosity of their makers, and the social and political climate in which they were created.
Aug 25, 2023 · They were arranged sequentially in a manner that narrated the main events from the life of the Buddha to devotees as they performed ritual circumambulations around the stupa. The panels are now housed in the collection of the Freer Gallery of Art in Washington DC, USA.
This article analyzes the different modes used in early Buddhist art to visually narrate stories from the life of Buddha and his prior lives (jatakas). It identifies seven distinct modes: 1) Monoscenic, using a single scene to represent the whole narrative.
The Mural Scene. This image shows a small detail depicting a prominent scene from the Buddha’s life prior to his enlightenment: his renunciation of royal trappings and escape from the family palace. The complex arrangement presents several stages of narrative within a single visual field.
