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Bringing in less than estimated box office numbers during the first weekend could send the wrong signals to the media and, by extension, the audience. Let's look at how — and why — Hollywood continues to play fast and loose with box office numbers.
- How Hollywood Accounting Works
The numbers are laughable. How is it possible, for example,...
- How Movie Marketing Works
One of the most important indicators of the success of a...
- How The MPAA Works
When a film is submitted to CARA, it is viewed by members of...
- How to Determine Profitability
Calculate your company's revenue. Depending on your...
- Theaters
Probably the single biggest improvement in theater seating...
- Blockbuster
But keep in mind the percentage aspect -- box-office numbers...
- How Hollywood Accounting Works
High box office numbers often translate to a film being labeled a hit, which can bring about numerous advantages: Increased visibility and marketability for sequels or spin-offs, Enhanced negotiating power for actors, directors, and producers in future projects, A boost in home media sales and streaming deals due to the film’s popularity.
With over 40 years of box office numbers, you have access to a vast range of domestic and international numbers, allowing you to stay updated on how films are performing right now and dive into historical data.
Jul 23, 2024 · How exactly does movie box office work? Who gets paid what, and when? How does it all add up? We have the answers right here.
- Movie Budgets and Costs
- Ticket Price Revenue
- Merchandising Dollars
- Foreign Sales
- Television Rights, Streaming, and VOD
- The Bottom Line
In general, major studios don’t disclose the full budgets for their films (production, development, marketing, and advertising). This mystery arises in part because it costs far more to make and market a movie than most people expect. For example, the production budget for a summer blockbuster like Marvel’s The Avengers is estimated as $220 million...
Theater attendance has been challenging over recent years, making it even harder for studios and distributors to profit from films. Usually, a portion of theater ticket sales goes to theater owners, with the studio and distributor getting the remaining money. Traditionally, a larger chunk went to the studio during the opening weekend of a film. As ...
It all started with Star Wars. Since the George Lucas sci-fi saga began back in 1977, the franchise has made billions in revenue from toys alone, not to mention licensing income from other third-party companies. In 2015, Star Wars: The Force Awakensbrought in $700 million in retail sales. This strategy obviously doesn't work for every film. You don...
When a producer cobbles together the budget for an independent film, selling the distribution rights in foreign territories is crucial. It helps to cover the film’s budget and hopefully brings in revenue. Independent filmmakers can actually make money if they have a great foreign sales agent who can sell their movies in key overseas markets. Produc...
Once upon a time, it was all about DVD sales. Now, it’s far more about television rights, video-on-demand (VOD), and streaming. For some producers, selling TV and international rights is a significant source of profit because the producer doesn't have to pay for marketing and P&A costs. Films have to leave the theater at some point, but they can re...
As the saying goes, nobody knows anything in Hollywood. The film industry is in flux, and ticket sales alone don't drive revenue. There’s merchandising, VOD, streaming video, foreign sales, and a plethora of other distribution channelsthat can help filmmakers, producers, and studios turn a profit. So who knows, the little indie that you invest in c...
Aug 6, 2019 · In this video from our YouTube channel, we break down all the costs that go into making a movie, and why you shouldn't anchor to a big box office number.
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Aug 30, 2020 · They also established a five-stage blueprint to (market) recovery, with Stage 1 being a cinemas’ re-opening date, and Stage 5 categorised as a “recovery week” – in which the play weeks’ performance would be equal to those in the top quartile of business in the past two years.
