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    • Image courtesy of jonimations.blogspot.com

      jonimations.blogspot.com

      • To produce more realistic movements in their movies, Disney animators Ollie Johnston and Frank Thomas came up with the 12 principles of animation. The purpose of these rules was to help animators create characters and objects that moved according to the laws of physics.
      www.linearity.io/blog/12-principles-of-animation/
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  2. Mar 21, 2023 · Animation tools and techniques might change over time but Disney’s 12 principles of animation will help you create fundamentally sound animation. So get to work! Refine your skills and apply the right animation principles to create truly captivating work.

    • Tammy Coron
    • Squash and stretch. The squash and stretch principle is considered the most important of the 12 principles of animation. When applied, it gives your animated characters and objects the illusion of gravity, weight, mass and flexibility.
    • Anticipation. Anticipation helps to prepare the viewer for what's about to happen. When applied, it has the effect of making the object's action more realistic.
    • Staging. Staging in animation is a lot like composition in artwork. What we mean by that is, you should use motion to guide the viewer's eye and draw attention to what's important within the scene.
    • Straight ahead action and pose to pose. There are two ways to handle drawing animation: straight ahead and pose to pose. Each has its own benefits, and the two approaches are often combined.
  3. Mar 23, 2022 · To produce more realistic movements in their movies, Disney animators Ollie Johnston and Frank Thomas came up with the 12 principles of animation. The purpose of these rules was to help animators create characters and objects that moved according to the laws of physics.

    • Emma Taggart
    • Author
    • Squash and Stretch. Animators have no way of conveying the physical properties of a character or object other than through visual, on-screen cues. Many animators will tell you that good animation has less to do with the design and mannerisms of your characters, and more to do with how reactive their personalities and appearances are to what's going on around them.
    • Anticipation. You're animating a scene that takes place at a public swimming pool. Your protagonist, a meek middle-schooler, is about to jump off of the high-dive for the first time.
    • Staging. Mise-en-scène is a term in the world of live-action film. It refers to the orchestration of on-screen elements and the way that the auteur uses this space to get his or her point across.
    • Pose to Pose vs. Straight Ahead Animation. Choosing between straight ahead and pose to pose animation will be one of the first technical decisions that you will need to make before beginning to figure things out.
    • Squash and Stretch. The Squash and Stretch technique is used by animators to convey an object's weight, flexibility, and hardness. For example, when there is an animation of an object falling, it gets flattened when it touches the ground and stretches out to maintain its volume.
    • Anticipation. Anticipation in animation prepares the audience for what will happen next. It involves a small movement or action that precedes a larger one.
    • Staging. Staging in Animation involves arranging characters, props, background, and camera perspective. You might have noticed that in animation, a scene unfolds in a sequence and not all at once.
    • Straight Ahead Action and Pose to Pose. Drawing animations can be done in 2 ways - Straight Ahead Action and Pose to Pose. Straight ahead action involves drawing an action frame by frame, creating a smooth flow of movement.
  4. Sep 23, 2024 · Analyze scenes from classic Disney films and look for examples of each principle. Studying great animation helps them sink in. Try the principles when doing any animation exercises, from bouncing balls to walking cycles.

  5. www.disneyanimation.com › processFilmmaking Process

    What goes into making an animated film? Each department works together to bring us the big picture. From sequence to shot to frame, the film comes together through the deep collaboration between everyone at the studio.

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