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e challenges of Afghanistan and Iraq?Richard Armitage: hey’re completely different places. I found that Afghanistan was an absolutely necessary war; they. struck us, and we had to strike back. What surprised me was how quickly we morphed from a fight against al Qaeda—that is, from foreigners, Uzbeks, Pakistanis, Saudis, even Uighers—to ...
the past. The past does not speak to us; we speak for the past. Nor does the past look at us: we examine the past. Historians control the interpretation of the past, but it cannot control us. And because the past does not confront us in the way that Andrade found the akua hulu manu staring at her, it does not demand if we are fulfilling our ...
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Armitage’s use of figurative language portrays the soldier as fragile and delicate, showing his vulnerability. The use of rhyming couplets arguably reflect the unified approach the couple are taking to the soldier’s recovery. Armitage's repetition could illustrate the constant and repeated support and care the wife demonstrates for her husband.
We notice. there were two distinct groups of women: women in families, women who were members of larger women's groups with a. pation (schoolteachers, nuns, prostitutes). The first important thing. is that unlike many men in western history, women were not dividuals "going it alone." The vast majority of women saw.
Nov 26, 2012 · Simon Armitage explores and explains the themes, ideas, feelings and attitudes behind 'The Manhunt' and considers the language, structure and form of the poem linked to its central ideas. A ...
Gives a sense of a shared experience. Q3. Starting with the first, order the key points of 'Remains' in chronological order. 1. - a looter stealing from a bank runs away from the speaker. 2. - the speaker and his fellow soldiers shoot at the looter. 3. - the speaker describes the impact of the bullets and the looter dying.
Mar 1, 2016 · In one scene, four little boys are sitting together, talking about how high they can hit a ball. “Mine’s up to there,” one small boy declares, raising his arm above his head. “Mine’s up ...
