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Nov 13, 2020 · Yet a genuine literary or art history, finding continuity and change amid documents and data, was not possible until the growth of the historical sense in the Renaissance. Giorgio Vasari’s Lives of the Artists (1550), comprising over 150 biographies, towers above all Renaissance literary and art histories. It was no mere grouping of separate ...
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- National and Chronological Trends
- History and Biography
- Theory and Practice
- Gravitation of Art Theory Toward Two Complex Issues
- Ekphrasis
- Art Criticism
- Bibliography
In 1924 Julius von Schlosser published the bibliographic bible on the literature of art from antiquity to the nineteenth century:Die Kunstliteratur. It was not the first free-standing bibliography—that honor goes to Angelo Comolli (1788–1792)—nor was it the oldest published bibliography (Antonio Possevino, 1593). (Full references to source material...
Using Schlosser's categories and bibliography (but excluding books not devoted entirely or mostly to art), it is interesting to delineate the changing contours of published art literature between 1550, when Vasari first published hisVite de' pittori,scultori ed architetti (Lives of the painters, sculptors and architects), and 1752, when Johann Joac...
Giorgio Vasari, the father of art history, wrote the first universal history of art from Egypt to his own time. It skimmed over the Middle Ages and mentioned non-Italian artists only if they visited Italy, but it remained the definitive work until Baldinucci expanded it (1681–1728) into a pan-European version. By the late sixteenth century when upd...
The Accademia della Crusca, a Florentine literary academy that published the first standard Italian dictionary in 1612, defined theory as "the speculativescience that gives rules to practice and restores reason to working." The priority of theory over practice, or, as Leonardo da Vinci had put it, of "mental discourse" over "manual operation," help...
(1) What relation should art have to nature? If art should improve upon natural appearance (the view of the majority), should the changes enhance beauty or expression? Should the changes be based on a scientific method, on the imitation of ancient art and the Old Masters, or on a platonic Christian or personal ideal? These questions permeate most d...
Ekphrasis originated in ancient rhetoric as a form of description, vividly detailing an event in order to persuade an audience of its truth. Philostratus and Lucian adopted the technique to describe paintings. Art books were not illustrated with reproductive prints until the late seventeenth century (Carla Patin, 1691), despite the earlier practice...
Art criticism was an early modern invention that originated within the intricacies of the older genres of biography, theory, and ekphrasis. The self-proclaimed objectivity of theory and the historical perspective of biography yielded in art criticism to the immediate, subjective response of an individual viewer in front of a particular painting. Va...
Primary Sources
Baldinucci, Filippo.The Life of Bernini. Translated by Catherine Enggass. University Park, Pa., 1966. Translation ofVita del Cavaliere Gio: Lorenzo Bernino scultore, architetto e pittore(1682). Bauer, George ed.Bernini in Perspective.Englewood Cliffs, N.J., 1976. Bellori, Giovanni Pietro.Lives of Annibale and Agostino Carracci. Translated by Catherine Enggass. University Park, Pa., 1968. Translation of chapter fromLe vite de' pittori, scultori et architetti moderni(1672). Condivi, Ascanio.The...
Secondary Sources
Barolsky, Paul.Michelangelo's Nose: A Myth and Its Maker.University Park, Pa., 1990. ——.Why Mona Lisa Smiles and Other Tales by Vasari.University Park, Pa., 1991. Baxandall, Michael.Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition, 1350–1450.Oxford, 1971. Brusati, Celeste.Artifice and Illusion: The Art and Writing of Samuel van Hoogstraten. Chicago, 1995. Colantuono, Anthony.Guido Reni's Abduction of Helen: The Politics and Rhetoric of...
Dec 17, 2020 · The Gothic Era (1100 – 1500): Freedom and Fear Unite. One of the most famous eras, Gothic art grew out of the Romanesque period in France and is an expression of two contrasting feelings of the age. On the one hand, people were experiencing and celebrating a new level of freedom of thought and religious understanding.
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- In art history, an art period is understood as a particular span of time that encompasses various artists and their artworks, whose works are class...
- Art movements differ from art periods since art periods are categorized and understood according to time and the different eras they encompass, whi...
- The art period of the present is known as the Contemporary art period, which encompasses art and new styles of art produced from the late-1970s unt...
- The Renaissance art period is a broad art era that is considered significant for the many cultural changes that occurred in multiple disciplines in...
- Prehistoric Art (~40,000–4,000 B.C.) The origins of art history can be traced back to the Prehistoric era, before written records were kept. The earliest artifacts come from the Paleolithic era, or the Old Stone Age, in the form of rock carvings, engravings, pictorial imagery, sculptures, and stone arrangements.
- Ancient Art (4,000 B.C.– A.D. 400) Ancient art was produced by advanced civilizations, which in this case refers to those with an established written language.
- Medieval Art (500–1400) The Middle Ages, often referred to as the “Dark Ages,” marked a period of economic and cultural deterioration following the fall of the Roman Empire in 476 A.D.
- Renaissance Art (1400–1600) This style of painting, sculpture, and decorative art was characterized by a focus on nature and individualism, the thought of man as independent and self-reliant.
Oct 21, 2024 · Modernism was a movement in the fine arts in the late 19th to mid-20th century, defined by a break with the past and the concurrent search for new forms of expression. It fostered a period of experimentation in literature, music, dance, visual art, and architecture. Learn more about the history of Modernism and its various manifestations.
Aug 16, 2017 · modernism in art The shift to modernism can be partly credited to new freedoms enjoyed by artists in the late 1800s. Traditionally, a painter was commissioned by a patron to create a specific work.
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to the solipsistic worlds-within-worlds- of Modernist art and literature. I have found that these four characteristics work quite well if Modernism is seen as a new and basically independent and autonomous phase in the literary history of the past two centuries? and that indeed the exceptions may prove the rule. Most Modernist
