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Beethoven's stylistic innovations bridge the Classical and Romantic periods. The works of his early period brought the Classical form to its highest expressive level, expanding in formal, structural, and harmonic terms the musical idiom developed by predecessors such as Mozart and Haydn.
- Overview
- The early years
Beethoven is widely regarded as the greatest composer who ever lived, in no small part because of his ability—unlike any before him—to translate feeling into music. His most famous compositions included Symphony No. 5 in C Minor, Op. 67 (1808), Symphony No. 7 in A Major, Op 92 (1813), and Symphony No. 9 in D Minor, Op. 125 (1824).
Symphony No. 5 in C Minor, Op. 67
Listen to an excerpt from Symphony No. 5 in C Minor.
Symphony No. 7 in A Major, Op. 92
Listen to an excerpt from Symphony No. 7 in A Major.
How did Ludwig van Beethoven get his start in music?
Beethoven was the eldest surviving child of Johann and Maria Magdalena van Beethoven. The family was Flemish in origin and can be traced back to Malines. It was Beethoven’s grandfather who had first settled in Bonn when he became a singer in the choir of the archbishop-elector of Cologne; he eventually rose to become Kappellmeister. His son Johann was also a singer in the electoral choir; thus, like most 18th-century musicians, Beethoven was born into the profession. Though at first quite prosperous, the Beethoven family became steadily poorer with the death of his grandfather in 1773 and the decline of his father into alcoholism. By age 11 Beethoven had to leave school; at 18 he was the breadwinner of the family.
Having observed in his eldest son the signs of a talent for the piano, Johann tried to make Ludwig a child prodigy like Mozart but did not succeed. It was not until his adolescence that Beethoven began to attract mild attention.
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When in 1780 Joseph II became sole ruler of the Holy Roman Empire, he appointed his brother Maximilian Francis as adjutant and successor-designate to the archbishop-elector of Cologne. Under Maximilian’s rule, Bonn was transformed from a minor provincial town into a thriving and cultured capital city. A liberal Roman Catholic, he endowed Bonn with a university, limited the power of his own clergy, and opened the city to the full tide of the German literary renaissance associated with Gotthold Ephraim Lessing, Friedrich Gottlieb Klopstock, and the young Goethe and Schiller. A sign of the times was the nomination as court organist of Christian Gottlob Neefe, a Protestant from Saxony, who became Beethoven’s teacher. Although somewhat limited as a musician, Neefe was nonetheless a man of high ideals and wide culture, a man of letters as well as a composer of songs and light theatrical pieces; and it was to be through Neefe that Beethoven in 1783 would have his first extant composition (Nine Variations on a March by Dressler) published at Mannheim. By June 1782 Beethoven had become Neefe’s assistant as court organist.
In 1783 he was also appointed continuo player to the Bonn opera. By 1787 he had made such progress that Maximilian Francis, archbishop-elector since 1784, was persuaded to send him to Vienna to study with Mozart. The visit was cut short when, after a short time, Beethoven received the news of his mother’s death. According to tradition, Mozart was highly impressed with Beethoven’s powers of improvisation and told some friends that “this young man will make a great name for himself in the world”; no reliable account of Beethoven’s first trip to Vienna survives, however.
Beethoven's Unique Style. Beethoven is viewed as a transitional figure between the Classical and Romantic eras of musical history. Above all, his works distinguish themselves from those of any prior composer through his creation of large, extended structures characterized by the extensive development of musical material, themes, and motifs ...
Beethoven's stylistic innovations bridge the Classical and Romantic periods. The works of his early period brought the Classical form to its highest expressive level, expanding in formal, structural, and harmonic terms the musical idiom developed by predecessors such as Mozart and Haydn.
Apr 30, 2021 · Musicologists often point out that Beethoven’s music was transitional—that is, it pointed the way from the high-Classical style of Mozart and Haydn toward the Romanticism of Mendelssohn and Chopin.
Jul 5, 2023 · Beethoven's First Symphony was completed in 1800, and the Second Symphony was completed in 1802. They displayed the composer's innovative use of musical motifs rather than the more traditional emphasis on lyrical themes, and wind instruments were given a greater role than was traditional.
Oct 16, 2022 · From the late Classical style of his early period works, Beethoven quickly began to transition towards ideals and aspirations that would become associated with the Romantic movement. Even in these formative compositions, we hear the characteristics of a later Beethoven.
