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      • A feeling, a form of perception and (supposed) knowledge, the aesthetic success of authenticity, and thus the mainstream historical film, is assessed via the following question: Has the past been conveyed in a way that the spectator can reconcile with his or her perception of the historical reality?
      film-history.org/approaches/authenticity-feeling

      The Authenticity Feeling - Research in Film and History

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  3. link.springer.com › chapter › 10Perspective-Taking and Empathic Responses to Historical Film

    • Rosenstrasse
    • Sophie Scholl: The Final Days
    • The Counterfeiters

    Margarethe von Trotta begins this film with a statement on the historical veracity of the story she is about to tell: “The events on Berlin’s Rosenstrasse from February 27 to March 6, 1943 actually took place.”23 Indeed, the historical premise for the film, centering on a group of German Gentile women who staged a protest in order to liberate their...

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    Film scholar Lawrence Baron explains the appeal of movies that represent the Holocaust through the eyes of a protagonist modeled on a historical figure: In experiencing history vicariously, a process that requires imagination and perspective-taking, the viewers of biopic Holocaust films are both feeling and thinking with characters caught in dire c...

    See full list on link.springer.com

    Like many Holocaust feature films, Stefan Ruzowitzky’s Oscar-winning film about the large-scale counterfeiting scheme “Operation Bernhard,” by which inmates at the concentration camp Sachsenhausen were employed in exchange for special privileges, was marketed heavily as being based on facts. Operation Bernhard, the elaborate plan to flood and there...

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    • Jennifer Marston William
    • 2017

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  5. medium.com › @fragmentsofcinema › how-movie-emotionsHow Movie Emotions Work, According to Film Theory

    Oct 10, 2023 · The emotional dynamics of watching a film is a relatively new field of study in modern film academia. It’s a cross section of philosophy, psychology, film studies, cognitive science, sound...

  6. nofilmschool.com › historical-film-genreExploring the Historical Genre in Movies and TV - No Film School

    Mar 30, 2023 · The historical genre refers to a type of storytelling that is set in a specific period of time in the past, typically focusing on real people, events, and places. This genre encompasses a wide range of media, including movies, TV shows, novels, and plays, among others.

  7. www.nature.com › articles › s41599/018/0111-yA psychology of the film | Humanities and Social Sciences ...

    Jul 3, 2018 · In line with general psychological research on empathy, a distinction has been made between embodied simulation of film character feeling and a cognitively more demanding forms of empathy with ...

    • Ed S. Tan, Ed S. Tan
    • e.s.h.tan@uva.nl
    • 2018

  8. www.screeningthepast.com › historical-moods-in-filmHistorical Moods in Film - Screening the Past

    Although still a matter of debate, moods can be distinguished from emotions in a number of ways. Here I identify five features that distinguish moods from emotions, and which have particular significance for the composition and reception of narrative film.

  9. www.tandfonline.com › doi › fullStructures of feeling: contemporary research in women’s film ...

    Dec 23, 2019 · This collection captures something of the dominant ‘structures of feeling’ of women’s film and broadcasting history scholarship in the contemporary period ranging from considerations of women working in both above and below-the-line roles in film, television and radio, to those whose labour fell outside of mainstream cinema production, as ...

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