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The Stage. In one of the most famous metaphors in Western literature, Jacques delivers a speech that begins with the assertion, "All the world's a stage / And all the men and women merely players" (2.7). The speech, colloquially known as the "Seven Ages of Man" speech, describes life as a drama that takes place is seven acts, or "stages."
This metaphor that "all the world's a stage" touches on the theme of wearing costumes and “playing parts” in order to shape the way in which one is perceived. To “play many parts” is to put on multiple costumes and have multiple identities, much like an actor within a play. "All the world's a stage, And all the men and women merely ...
In Shakespeare's As You Like It, the phrase "All the world's a stage" is a metaphor suggesting that life is a predetermined play where individuals perform various roles throughout their lives ...
- Metaphor 2, Romeo & Juliet
- Metaphor 3, Henry V
- Metaphor 5, Antony and Cleopatra
- Metaphor 6, Romeo and Juliet
- Metaphor 7, Henry IV Part 1
- Metaphor 8, Macbeth
- Metaphor 9, Macbeth
- Metaphor 10, Troilus and Cressida
- Metaphor 11, Hamlet
- Metaphor 12, Antony and Cleopatra
Look, love, what envious streaks Do lace the severing clouds in yonder East: Night’s candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops
His face is all carbuncles, and whelks, and knobs, and flames of fire; and his lips plows at his nose, and it is like a coal of fire, sometimes blue, and sometimes red; but his nose is executed, and his fire is out.
For his bounty, There was no Winter in’t; an Autumn ’twas That grew the more by reaping: his delights Were dolphin-like; they show’d his back above The element they liv’d in: in his livery Walk’d crowns and crownets
Death, that hath suck’d the honey of thy breath, Hath had no power yet upon thy beauty: Thou art not conquer’d; beauty’s ensign yet Is crimson in thy lips and in thy cheeks, And death’s pale flag is not advancèd there. Why art thou yet so fair? shall I believe That unsubstantial Death is amorous; And that the lean abhorrèd monster keeps Thee here i...
O, then th’ Earth shook to see the heavens on fire, And not in fear of your nativity. Diseasèd Nature oftentimes breaks forth In strange eruptions; oft the teeming Earth Is with a kind of cholic pinch’d and vex’d By the imprisoning of unruly wind Within her womb; which, for enlargement striving, Shakes the old beldame Earth, and topples down Steepl...
Come, thick night, And pall thee in the dunnest smoke of Hell, That my keen knife see not the wound it makes, Nor Heaven peep through the blanket of the dark, To cry Hold, hold!
Heaven’s cherubin, hors’d Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
It is suppos’d, He that meets Hector issues from our choice: And choice, being mutual act of all our souls, Makes merit her election; and doth boil, As ’twere from forth us all, a man distill’d Out of our virtues. – Troilus and Cressida
To be, or not to be; that is the question: Whether ‘tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And, by opposing, end them.
O thou day o’ the world, Chain mine arm’d neck; leap thou, attire and all, Through proof of harness to my heart, and there Ride on the pants triúmphing!
Summary: In Shakespeare's "The Seven Ages of Man" from As You Like It, Jaques uses an extended metaphor to compare life to a play, illustrating seven stages of human life.Poetic devices such as ...
As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility.
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More quotes from As You Like It. Well said, that was laid on with a trowel. (Celia, Act 1 Scene 2) Thus must I from the smoke into the smother, From tyrant duke unto a tyrant brother. (Orlando, Act 1 Scene 2) O, how full of briars is this working-day world! (Rosalind, Act 1 Scene 3)
