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Jan 14, 2021 · These are the supernumeraries; they pad out crowd scenes and play silent roles (henchman, bartender, sex worker), adding to the imagined world that surrounds the main operatic action. We spoke with Carl Lyons, Matthew Bernstein, Liz Allemang, and Marie Colucci, four such supernumeraries (supers, colloquially) who have graced stages large and ...
Apr 24, 2012 · The word supernumerary comes from the Latin word supernumerarius, which, in the opera world, refers to “a person no one cares about and is often overlooked,” or more commonly, “a silent actor.”. Supers serve as extras to enhance scenes but are basically moving furniture. As appealing as this sounds, it is not something I ever aspired to do.
Dec 16, 2015 · While many supernumerary roles fall into what San Francisco Opera extra Heidi Munzinger calls “blink and they’re over moments,” others require more sustained dramatic credibility and expertise. That’s been particularly true in the last 15 years or so, due to the increasing dominance that directors exert over opera productions, and to the close-up shots and other requirements imposed by ...
Supernumeraries are usually amateur character artists who train under professional direction to create a believable scene. They almost become part of the props and give a sense of credibility to scenes where crowds, court assistants, lackeys, peasants or a variety of period characters are needed. Some operas require over 50 supernumeraries.
A man who sings in the middle male vocal range. He often portrays the villain of the story. Notable baritones include Thomas Hampson, Tito Gobbi, Sherill Milnes, Dmitri Hvorostovsky and Richard Stilwell. Bass. A supernumerary, or “super,” is an “extra” in a production who does not speak or sing. Typical supernumerary roles include ...
Oct 18, 2010 · In the opera world these special scene fillers are called supernumeraries, or “supers” for short. For WBEZ, Anne Cadigan spent the day at the Lyric Opera learning more about them. By day, Ken ...
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Apr 17, 2019 · For the last 30 years, Iggy Berlin has appeared in thousands of performances on stage at the Metropolitan Opera House. For the most part, he goes almost entirely unnoticed — on purpose. He is one of many supernumeraries — the term used in the theater world for extras — paid to stand in the background of opera and ballet classics like “Swan Lake” or “La Traviata.”
