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      • " The Living Daylights " is the theme song from the 1987 James Bond film of the same name, performed by Norwegian synth-pop band a-ha. It was written by guitarist Pål Waaktaar. A revised version of the song was included on the band's third studio album, Stay on These Roads (1988).
      en.wikipedia.org/wiki/The_Living_Daylights_(song)
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  2. "The Living Daylights" is the theme song from the 1987 James Bond film of the same name, performed by Norwegian synth-pop band a-ha. It was written by guitarist Pål Waaktaar. A revised version of the song was included on the band's third studio album, Stay on These Roads (1988).

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  3. Jun 17, 2013 · As with the other Bond films, Barry uses the title song, “The Living Daylights”, within the film proper. Here’s how we first hear the song in the film’s main titles: Unlike most other Bonds, Barry relies on the song more as an occasional theme than as a pervasive main theme.

  4. Review of the The Living Daylights soundtrack by John Barry, including images and full chronological film sequence order.

  5. The Living Daylights was the final Bond film to be scored by composer John Barry. The soundtrack is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra—at the time, a relatively new innovation.

  6. This was the theme tune to the James Bond film The Living Daylights, which was Timothy Dalton's debut in his short reign as 007. A-ha were the last act to collaborate with score composer John Barry.

  7. Jun 28, 2014 · The Living Daylights is the soundtrack title for the film The Living Daylights and the eleventh and final Bond soundtrack to be scored by composer John Barry. The soundtrack is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra – at the time, a relatively new innovation.

  8. The Living Daylights is the soundtrack title for the film The Living Daylights and the eleventh and final Bond soundtrack to be scored by composer John Barry. The soundtrack is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra – at the time, a relatively new innovation.

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