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Aug 1, 2016 · We suggest that metaphor mediates between language, emotion, and aesthetic response. Music is often described in terms of emotion. This notion is supported by empirical evidence showing that engaging with music is associated with subjective feelings, and with objectively measurable responses at the behavioural, physiological, and neural level.
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The evidence for the link between music and emotion has long...
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Either VII. ROBINSON'S VISCERAL EMOTIONS. way, the aesthetic theory of music can embrace. the aesthetic metaphor thesis and say that the aes- Jenefer Robinson argues that some emotions, such thetic properties of music are often metaphorically as exhilaration and the startle reaction, do not described in emotion terms.
Mar 24, 2021 · Second, metaphorical and emotional language plays a central role in music education, especially conceptual metaphors associated with space and gesture . It has been shown that they are a particularly effective theoretical tool and educational tool (Woody, 2002).
- Simon Schaerlaeken, Donald Glowinski, Didier Grandjean
- 2021
Aug 1, 2016 · The evidence for the link between music and emotion has long been debated. •. Music experience involves physical, biological, cognitive, and contextual processes. •. We propose that metaphor acts at key stages along and between these processes. •. We suggest that metaphor mediates between language, emotion, and aesthetic response.
- Alessia Pannese, Marc-André Rappaz, Didier Maurice Grandjean
- 2016
Here we discuss the role of metaphor as a potential mediator in these mechanisms. Drawing on musicological, philosophical, and neuroscientific literature, we suggest that metaphor acts at key stages along and between physical, biological, cognitive, and contextual processes, and propose a model of music experience in which metaphor mediates between language, emotion, and aesthetic response.
The focus in this chapter is on work that has contributed directly to discussions about metaphor and music and on theoretical frameworks for understanding how the domain of music correlates with other conceptual domains, including that of language. Most of this work dates from the past 50 years, and encompasses a range of disciplines, including philosophy, semiotics, cognitive science, and the ...
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Jan 1, 2015 · conceptualizing music, and then that theoretical approaches such as conceptual metaphor theory may provide us with a good framework for describing the problem of “musical meaning”.
