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  1. A Hard Road. (1967) Blues Breakers, colloquially known as The Beano Album, is the debut studio album by the English blues rock band John Mayall & the Bluesbreakers, originally credited to John Mayall with Eric Clapton. Produced by Mike Vernon and released in 1966 by Decca Records (UK) and London Records (US), it pioneered a guitar-dominated ...

  2. Jul 24, 2024 · By night, for a flat weekly fee of £35, Clapton stepped out with the Bluesbreakers to play shows that left a crater in the London club scene. Aware that his new recruit was the group’s selling point, the wily Mayall had chosen material to suit, with cuts such as Freddie King’s instrumental Hideaway offering a showcase for Clapton’s molten phrasing and perfectly weighted touch.

  3. May 4, 2018 · He is the author of Jimi Hendrix: Electric Gypsy, Eric Clapton: Lost in the Blues, Waiting for the Man: the Story of Drugs and Popular Music and many other titles. Released in 1966, John Mayall’s Blues Breakers With Eric Clapton changed the musical landscape. On its 50th anniversary, here’s how Beano came to exist….

  4. Established in 1963, John Mayall and the Bluesbreakers emerged as a progressive blues and rock band wielding notable influence during the blues resurgence of the ’60s. Often considered the spark igniting British blues, the band provided a solid foundation for musicians to delve into and innovate within the genre.

  5. “Blues Breakers (with Eric Clapton)” is a classic British blues album by John Mayall & the Bluesbreakers released in 1966. Mayall’s blues group was not well known prior to the

  6. Jul 22, 2016 · 'Blues Breakers With Eric Clapton' was released on July 22, 1966. ... But the recording turned out to be unusable, so the group, once again with McVie on bass, went into a London studio in April ...

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  8. Mar 31, 2016 · Buys reel-to-reel recorder and bootlegs the near-mythical Bluesbreakers line-up of John Mayall, Peter Green, John McVie and Mick Fleetwood. Tapes lie dormant for five decades, before Huissen flogs them to Mayall, who delegates sonic buffing to producer Eric Corne and releases them to blanket acclaim (the first volume of Live In 1967, if you remember, was the recipient of a 10 ⁄ 10 review ...

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