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  1. Nov 30, 2023 · The mash-up as a form of music presentation has really taken off in the 21st Century, but who created the first mash-up and where did the form of presentation come from? It turns out there's a ...

    • Chad Childers
  2. Jan 9, 2011 · by Girl Talk, a k a Gregg Gillis, releases an album with 373 samples. (Related Article: “The 373-Hit Wonder”) Produced by Wm. Ferguson, Miki Meek, Jon Huang and Joanna Milter |. Milestones in sonic marriages over the past 104 years.

  3. Mashup (music) A mashup (also mesh, mash up, mash-up, blend, bastard pop[1] or bootleg[2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]

  4. Nov 16, 2022 · Of course, the definitive mashups of the 2020s thus far have come from TikTok, where mashups are frequently used in videos posted to the app. One of the year’s biggest radio hits, which is a product of the original’s success on TikTok, has been a remixed version of rapper Latto’s Big Energy, which combines the verses from the original track with segments from Mariah Carey’s 1995 hit ...

    • Matthew Forbes
  5. "Can't Get Blue Monday Out of My Head" "Can't Get You Out of My Head" (Kylie Minogue) "Blue Monday" Kurtis Rush: B-side to "Love at First Sight" ‡ 2002 "Centerfold / Hot in Herre" † "Centerfold" (The J. Geils Band) "Hot in Herre" Adam Anders and Peer Astrom Glee: The Music, The Complete Season Four: 2013 "Cheeky Armada"

  6. Jan 18, 2008 · A mashup is taking two songs and beat-matching them together to create a new blended mix of both songs. A classic example is the mashup of Kylie Minogue’s “Can’t Get You Out of My Head” and New Order’s “Blue Monday.”. First gaining popularity midway through the first decade of the 2000s, it’s often done using full stereo mixes ...

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  8. Dec 19, 2017 · The mash up has descended dramatically from the once dizzy heights of prominence it enjoyed at the turn of the 21st century. For a form that once attracted a great deal of attention from a fair number of music journalists and academics alike, its comparative lack of visibility is striking.

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