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1950s and 1960s
- Progressive jazz moved toward modernization in the 1950s and 1960s, tapping into more complex arrangements than what had been played by big bands.
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By the end of World War II, then, jazz had already served for several decades along with the Hollywood cinema as a key herald of modern Americanism. But only in the years following the 1945 armistice did modern jazz—the progressive stylistic thrust within jazz itself—emerge as a full-blown movement. Jazz’s own internal modernist ...
Progressive jazz moved toward modernization in the 1950s and 1960s, tapping into more complex arrangements than what had been played by big bands. Another important departure from traditional jazz was the use of improvisaton.
Progressive Jazz is a term coined by Stan Kenton to refer to a type of experimental and somewhat dissonant big-band jazz music of the 1950s. The music was characterized by complex, loud, and brassy voicings with arrangements -- often titled "fugue" or "elegy" -- that convey an association with art music.
The rise of modern jazz—or “bebop” as it was called—dramatically changed the landscape of the music in the 1940s, transforming the genre into a truly progressive and experimental idiom.
Progressive ideas tapped into not only the existing potential of jazz to become a leading force in the civil rights movement, but also allowed musicians and activists to increase the outreach of their goals.
Progressive jazz was most popularized by the bandleader Stan Kenton during the 1940s. [12] Critics were initially wary of the idiom. [12] Dizzy Gillespie wrote in his autobiography: "They tried to make Stan Kenton a 'white hope', called modern jazz and my music 'progressive', then tried to tell me I played 'progressive' music. I said, 'You're ...
Dec 17, 2020 · Broadly speaking, Parker sets out to evaluate the influence of left-wing politics on the development of British modern/contemporary jazz (which he terms “progressive” or “BPJ”) from 1956 to 1964.
