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  1. The folk revival in New York City was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s as espoused by instructors such as Margot Mayo, which gave musicians such as Pete Seeger popular exposure. [ 2 ][ 3 ][ 4 ] The folk revival more generally as a popular and commercial phenomenon begins with the career of ...

    • How and Why Did The Folk Revival Happen?
    • Who Are Some Important Artists from The 1960s Folk Revival?
    • How Did Folk-Rock Emerge from The 1960s Folk Revival?
    • What About The '60s Protest Song Movement?
    • Is The Folk Revival Over?

    There were a lot of things that conspired to influence the folk music revival of the 1960s, but three major influences can be highlighted. 1. The Folklorists: During the early 20th Century, folklorists headed out across the country in hopes of documenting the musical styles traditional to various communities. John Lomax, for example, focused on doc...

    Although the blues, Cajun music, and other styles were definitely involved in the revival, as stated above, the '60s folk revival can be separated into two most prominent camps: the singer/songwriters and the old timers/traditionalists/bluegrass pickers. Here are some important singers and songwriters: Bob Dylan Phil Ochs Pete Seeger Joan Baez Dave...

    It can be argued that folk-rock started with the Weavers, who started the folk-pop movement. Eventually, the advent of folk-pop, and the influence (and popularity) of rock bands like the Beatles, helped inspire folk revivalists to experiment with folk-rock. However, it can also be argued that it all began when Bob Dylan went electric at the Newport...

    The 1960s were a turbulent time in American history. The Civil Rights Movement, which had been stewing for some time, came to a head. The Cold War was at its height. The United States was going from a turbulent war in Korea to another in Vietnam. And, with the baby boom generation coming of age, there was a lot of change in the air. Some of the gre...

    Hardly. Some people only think of folk music in the context of the 1960s, but, hopefully, the information on this Web site will convince them otherwise. American folk music has spanned the entire history of the country, although its popularity does fluctuate (as does the popularity of pretty much everything). As we venture further into the 21st cen...

  2. Aug 29, 2017 · The 1960s Folk Music Revival. The current popularity of “Americana” is only the most recent phase in the long history of American folk music. Indeed the folk music in and of our country has been “discovered,” or “revived,” several times over the past century. Probably the most influential and productive of these revivals took place ...

  3. American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. [ not verified in body ] The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new.

  4. The United States experienced two waves of folk-song revival activity a little more than twenty years apart, between the late 1930s and the early 1960s. In each case, what could be called traditional American music was reinterpreted and transformed with the help of the sort of "urban elite or priviledged class" mentioned by Ralph Rinzler above.

  5. The American Folk Revival Movement was a cultural phenomenon that emerged in the 1940s and gained momentum in the 1960s, characterized by a resurgence of interest in traditional folk music and its social and political implications. This movement revitalized folk music as a form of protest and expression, highlighting themes of social justice, civil rights, and anti-war sentiments, and ...

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  7. Other reworkings of traditional songs followed, as well as such popular television shows as “Hootenanny,” an ABC-network folk music variety show held weekly on college campuses in 1963-64. The music supposedly “of and by the masses” had finally reached the masses. From informal gatherings of amateur musicians to clubs to festivals, folk ...

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