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1953
- In France, as early as 1953, Pierre Schaeffer had begun using the term musique expérimentale to describe compositional activities that incorporated tape music, musique concrète, and elektronische Musik.
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In France, as early as 1953, Pierre Schaeffer had begun using the term musique expérimentale to describe compositional activities that incorporated tape music, musique concrète, and elektronische Musik.
Dec 17, 2019 · The early years of the GRM (which was called the Groupe de Recherche de Musique Concrète until 1958) coincided with the rapid advancement of audio and recording technology in the post-World War II era, specifically, the development of the magnetic tape recorder.
Sep 1, 1993 · Briefly surveys the 1941–58 activities of Pierre Schaeffer, who created musique concrète in Paris in the late 1940s.
- Carlos Palombini
A composer, theoretician, researcher, essayist and novelist, Pierre Schaeffer is one of the fathers of experimental radiophony and of musique concrète, the latter being defined by him as a collage and an assemblage on tape of pre-recorded sounds based on sound material that is both varied and concrete. After gaining a diploma from the École ...
Video. Pierre Henri Marie Schaeffer (14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist and acoustician. His innovative work in both the sciences—particularly communications and acoustics—and the various arts of music, literature and radio presentation after the end of World War II, as well ...
'Vers une musique experimentale', a special issue of the Revue musicale edited by Schaeffer and devoted entirely to the event, was announced. The final proof, revised and approved by the authors and Albert Richard, editor of the periodical, was ready on 10 July 1953.
Also outlined is his work of 1948–53 — between the beginning of his research into noises and the writing of his manifesto “Vers une musique expérimentale”, originally published in the Revue musicale 236 (1957).
