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  1. Feeling Strangely Fine is the second studio album by American rock band Semisonic. It is the follow-up to the band's debut album Great Divide recorded at Seedy Underbelly Studio in Minneapolis, Minnesota. The album contains some of Semisonic's best-known songs, including the major radio hit " Closing Time ", as well as the singles " Singing in ...

  2. Closing Time (Semisonic song) " Closing Time " is a song by American rock band Semisonic. It was released on March 10, 1998, as the lead single from their second studio album, Feeling Strangely Fine, and began to receive mainstream radio airplay on April 27, 1998. The ballad [ 5 ] was written by Dan Wilson and produced by Nick Launay.

  3. Mar 10, 2024 · Semisonic released its debut album Great Divide in 1996, but the band’s mainstream breakthrough occurred with the release of 1998’s Feeling Strangely Fine. Recorded in their hometown, the ...

    • Bianca Gracie
    • 4 min
  4. en.wikipedia.org › wiki › SemisonicSemisonic - Wikipedia

    Semisonic's breakthrough came two years later in 1998 when their second album, Feeling Strangely Fine, reached the Top 50 chart on the strength of the hit single "Closing Time", their biggest hit in the United States. During a 2008 performance at Harvard's Sanders Theatre, Wilson said that it was originally written about the birth of his first child.

  5. Nov 8, 2018 · “Closing Time” was the big hit on Semisonic’s second album, 1998’s Feeling Strangely Fine, which is being celebrated again with a recently released 20th anniversary reissue.The album ...

  6. Jan 7, 2014 · January 7, 2014 Song Analysis 1998, analysis, Closing Time, closingtime, Feeling Strangely Fine, feelingstrangelyfine, Semisonic Mary Chang Update 18/01/15: this past weekend, this post was inexplicably barraged by comments, which I thought was a bit strange, given that I posted it on Music in Notes a year ago.

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  8. Jul 5, 2023 · “Closing Time” opens Semisonic’s sophomore MCA effort Feeling Strangely Fine, recorded with producer Nick Launay in mid-1997 at Minneapolis’ Seedy Underbelly Studio. While Wilson ostensibly composed the tune to close out the trio’s live performances, his subconscious had other designs.

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