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  1. The first Globe was built by the company Shakespeare was in – the Lord Chamberlain’s Men. Richard Burbage was the company’s leading actor. They had played at the Theatre, built by the Burbage family on land leased from a Mr Allen. In 1597, Allen refused to renew the lease. However the Burbages owned the Theatre because the lease said they ...

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    Globe Theatre, famous London theatre in which after 1599 the plays of William Shakespeare were performed.

    Early in 1599 Shakespeare, who had been acting with the Lord Chamberlain’s Men since 1594, paid into the coffers of the company a sum of money amounting to 12.5 percent of the cost of building the Globe. He did so as a chief shareholder in the company, and by doing so he helped to establish a uniquely successful form of commercial operation for the actors of the time. This investment gave Shakespeare and the other leading actors both a share in the company’s profits and a share in their playhouse.

    Shakespeare’s company built the Globe only because it could not use the special roofed facility, Blackfriars Theatre, that James Burbage (the father of their leading actor, Richard Burbage) had built in 1596 for it inside the city. The elder Burbage had a long history as a theatrical entrepreneur. In 1576 he had built the first successful amphitheatre, known as The Theatre, in a London suburb. Twenty years later, when the lease on The Theatre’s land was about to expire, he built the theatre in Blackfriars as its replacement. But the wealthy residents of Blackfriars persuaded the government to block its use for plays, so Burbage’s capital was locked up. He died early in 1597, his plans for the future of theatre in London frustrated.

    Thus, the members of the Lord Chamberlain’s Men were forced to rent a playhouse. At the end of 1598, they decided to build one for themselves. Because the inheritance of Burbage’s sons, Cuthbert and Richard, was tied up in the Blackfriars, they formed a consortium with Shakespeare and four other actors, who became co-owners of the new Globe. The same shortage of cash made the consortium reluctant traditionalists; they gave up the idea of an indoor theatre in the city. The old playhouse was one of their few remaining resources, but they could not use it in situ because the lease had expired, so they dismantled it, took the timbers (illegally) to make the skeleton of their new amphitheatre, and kept the basic auditorium shape of The Theatre for the new building.

    For all its hurried construction in 1599, the Globe proved a triumph. Its first decade of use made it a favourite not just with subsequent generations of theatregoers but with the company itself. In later years the troupe paid a lot to keep it going. At least two circumstances provide evidence for this statement. In 1608, when the company could finally fulfill James Burbage’s original plan for the Blackfriars, the members chose, extravagantly, to operate the two theatres together, using the open-air Globe in the summer and the roofed Blackfriars in the winter. Had they chosen to, they easily could have rented one of the buildings to another company, since there was a shortage of playhouses in London in this period. But they kept both for themselves. They were given a second chance to transfer full-time to the Blackfriars in 1613, when the Globe burned to the ground, its thatch accidentally set alight by a cannon during a performance of Henry VIII. By then the Blackfriars was already beginning to bring better profits than the Globe, since the smaller house size was more than compensated by its higher prices. Instead, bearing the cost out of sentiment and traditional loyalty, the company members dug deep into their own pockets and rebuilt the Globe more splendidly than before.

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    Technically, the 1599 Globe and its 1614 replacement span an era in the history of theatre design. The first Globe, based on the skeleton of the original Theatre of 1576, was unique not just as the most famous example of that peculiar and short-lived form of theatre design but because it was actually the first to be built specifically for an existing acting company and financed by the company itself. Shakespeare designed As You Like It, Hamlet, Twelfth Night, Othello, All’s Well That Ends Well, Measure for Measure, King Lear, Macbeth, Antony and Cleopatra, Coriolanus, Pericles, and The Winter’s Tale, not to mention Troilus and Cressida and Timon of Athens, for performance there.

  2. www.shakespeare.org.uk › explore-shakespeare › shakeShakespeare's Globe Theatre

    The story of the Globe Theatre starts with William Shakespeare 's acting company The Lord Chamberlain's Men. Shakespeare was a part-owner, or sharer, in the company, as well as an actor and the resident playwright. From its inception in 1594, the Lord Chamberlain's Men performed at The Theatre, a playhouse located in Shoreditch.

  3. As well as plays by Shakespeare, early works by Ben Jonson, Thomas Dekker and John Fletcher were first performed here. [1] A modern reconstruction of the Globe, named "Shakespeare's Globe", opened in 1997 approximately 750 feet (230 m) from the site of the original theatre. [2]

  4. Shakespeare's Globe is a reconstruction of the Globe Theatre, an Elizabethan playhouse first built in 1599 for which William Shakespeare wrote his plays. Like the original, it is located on the south bank of the River Thames , in Southwark , London.

  5. Shakespeare’s Swan Theatre. After the old Globe Theatre was built in early 1599 the first production was As You Like It, followed by works by Shakespeare, Jonson, Beaumont, Fletcher, and others. In 1613, during a performance of Henry VIII, a cannon went off to mark the entrance of the king, and a stray spark set the thatch roof aflame.

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  7. The Globe, which opened in 1599, became the playhouse where audiences first saw some of Shakespeare’s best-known plays. In 1613, it burned to the ground when the roof caught fire during a performance of Shakespeare’s Henry VIII. A new, second Globe was quickly built on the same site, opening in 1614.

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