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      chicagomusicexchange.com

      • The Telecaster fulfilled Leo’s aim to design an electric Spanish solidbody guitar that would be easy to build. He wanted a relatively simple and unadorned guitar that served a practical purpose: it did exactly what the player wanted as soon as he plugged it into an amp.
      guitar.com/features/interviews/leo-fender-the-guitar-genius-who-couldnt-play-a-note/
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  2. Much of the history of modern popular music owes a great deal of its sound to the Telecaster. Learn about Leo Fender's revolutionary guitar creation.

    • Telecaster Deluxe

      What was missing was a solid-body, dual-humbucking-pickup...

    • Jimmy Page

      It’s no secret that Jimmy Page has long had a thing about...

    • The Archtop Era
    • Enter Leo Fender
    • The Esquire
    • The Broadcaster
    • Tele Tweaks
    • The Player's Perspective
    • The Tele Legacy

    As twilight fell on the Big Band era toward the end of World War II, small combos playing boogie-woogie, rhythm and blues, western swing, and honky-tonk formed throughout the United States. Many of these outfits embraced the electric guitarbecause it could give a few players the power of an entire horn section. Pickup-equipped archtops had reigned ...

    Fender recognized the vast potential for an electric guitar that was easy to hold, easy to tune, and easy to play. He also recognized that players needed guitars that would not feed back at dance hall volumes like the typical archtop. (Many guitarists had to stuff rags into their elegantly crafted guitars to stop the howling.) In addition, Fender s...

    Don Randall, who managed Fender's distributor, the Radio & Television Equipment Company, recognized the commercial possibilities of the new design and made plans to introduce the instrument as the Esquire Model. (Although Randall – the company's de facto namesmith – gave the Esquire its moniker, Fender supported the name, saying that it "sounded re...

    The factory finally went into full production in late October or early November 1950, and the name Randall chose for the dual-pickup guitar was "Broadcaster." Musical Merchandisemagazine carried the first announcement for the Broadcaster in February 1951 with a full-page insert that described it in detail. The guitar had what Randall called a "Mode...

    In 1952, Fender replaced the Telecaster's blend control circuit with a conventional tone control. Now the switch's rear position selected the lead pickup, the middle position selected the rhythm pickup, and the front position delivered the "deep rhythm" sound. Teles were equipped this way until the mid-'60s, when the modern switch setup was introdu...

    In the early 1950s, a broad spectrum of Tele players established themselves in combos – even young blues guitarlegend-to-be B.B. King spanked the plank. With its versatile sound, ease of playing, and reasonable cost, what better guitar to yellow with perspiration and cigarette smoke? Most serious students could afford the $189.50 price, ensuring a ...

    By the late '60s, it was clear the Telecaster had shaken the foundations of the music industry. The Tele – and the host of solidbody models introduced as a result of its success – changed the way the world heard, played, and composed music. Ironically, Leo Fender, who worked incessantly after '51 developing new models such as the Strat, Jazzmaster,...

  3. en.wikipedia.org › wiki › Leo_FenderLeo Fender - Wikipedia

    Fender designed the company's iconic early instruments: the Fender Telecaster, the first mass-produced solid-body electric guitar; the Fender Stratocaster, among the most iconic electric guitars; and the Fender Precision Bass, which set the standard for electric basses.

  4. I’ll tell you one of the reasons why Leo liked it, and he was very strong for this. On most guitars that had keys on one side, the strings would go up to the bone nut and then they would slant off to one side. Leo liked it so they were straight from the bridge to the post, with no bending sideways.

    • Why did Leo Fender get a Telecaster?1
    • Why did Leo Fender get a Telecaster?2
    • Why did Leo Fender get a Telecaster?3
    • Why did Leo Fender get a Telecaster?4
    • Why did Leo Fender get a Telecaster?5
  5. Leo realized this and designed an improved version of the Esquire which was named the Fender Broadcaster. The instrument was basically the Telecaster we love and play today but with a different name. So why did Leo decide to change the name? He didn’t.

  6. Sep 23, 2022 · Jets streaked across the California skies - and down on terra firma, in Fullerton, California, Leo Fender was building the first prototypes of a guitar that would propel six-string design into the wide blue yonder. These early testbed instruments were blocky, even crude looking.

  7. The Fender Telecaster was developed by Leo Fender in Fullerton, California, in 1950. In the period roughly between 1932 and 1949, several craftsmen and companies experimented with solid-body electric guitars, but none had made a significant impact on the market.